After a brief detour from the main story in the third film, [REC] 4: Apocalypse comes back to the beginning to complete the franchise. The film opens October 31 overseas and is directed by Jaume Balagueró. Where as [Rec] 3: Genesis told a parallel story to the first two films, Apocalypse returns to the story of news reporter Ángela Vidal (Manuela Velascoa). She’s the one who got dragged into the darkness of the original film. Somehow, she’s now been captured, and thrown on a oil tanker that’s gone out to sea. There, things get a tad out of hand.
Below, watch the violent first trailer for [REC] 4: Apocalypse. Read More »
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The Kid With a Bike, the last film from sibling directors Jean-Pierre Dardenne and Luc Dardenne, was one of the best films of 2011, and will probably end up standing as one of the best films of the decade. So we’d be excited at the prospect of any new film from the brothers. The fact that their new movie, Two Days, One Night, stars Marion Cotillard is just a lovely bonus. The film will premiere at Cannes next month, and the first new Dardenne Brothers trailer film is below. Read More »
Posted on Thursday, April 17th, 2014 by Angie Han
You can always count on the Cannes Film Festival to showcase the most intriguing releases from around the world. This year, that includes Coming Home, the latest from director Zhang Yimou.
Gong Li (Raise the Red Lantern) and Chen Daoming (Hero) lead the sweeping romantic drama, which has already been scooped up by Sony Pictures Classics for U.S. distribution. Watch the gorgeous first Coming Home trailer after the jump.
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There’s an implied threat in the title of the film A Girl Walks Home Alone at Night. Those words together suggest menace and victimization. An image forms, not of a woman out for an enjoyable stroll, but of one who might not make it home.
A reversal of that threat is the core of this vampire film written and directed by Ana Lily Amirpour. Luminescent black and white photography buttresses a very spare approach to story. Into the tale are woven supernatural tropes, and elements of westerns and ’50s rebel movies. Shot in California but set in Iran, with dialogue in Farsi, the film’s images and characters are a collision of Iranian and American cultures, specifically with respect to social politics of sex and gender. This is an inversion of classic horror, because it is not about victimization of the person described in the title, but rather that person’s retaliation against forces that seek to dominate and subjugate.
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The world premiere screening of Gareth Evans‘ highly anticipated sequel, The Raid 2, just finished at the 2014 Sundance Film Festival and the response was electric. We’ll have a review and video blog soon but, for now, we’ve compiled a bunch of tweets from movie bloggers and filmmakers alike to give you an idea of what you can expect when the film hits on March 28. Here are two to get the ball rolling:
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Posted on Tuesday, January 21st, 2014 by Angie Han
The marketing campaign for Gareth Evans‘ The Raid 2 is off to a damn good start. The first teaser was light on plot but heavy on thrills, and the Indonesian trailer was a violent good time. Then there’s the fact that the first movie was pretty damn great, which really is the best advertisement of all for the sequel.
The new full-length trailer doesn’t disappoint, either. The follow-up picks back up with Iko Uwais‘ Rama, who’s now going undercover to protect his family and expose the bad guys. Naturally, this latest endeavor provides plentiful opportunities for both sides to kick, punch, shoot, stab, and beat the hell out of each other, in glorious fashion. Watch the video after the jump.
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There’s one really good reason to see the German film Wetlands, and her name is Carla Juri. She’s a firecracker; I keep hearing people refer to her as “the German Greta Gerwig,” and the comparison is easy to see. But Juri has her own skills and appeal, and her performance is the most watchable one I’ve seen so far at Sundance this year.
That’s saying something, as the subject matter of Wetlands can be… off-putting. The story hinges on — and there’s no delicate way to put this — an anal fissure suffered by Juri’s character Helen during a grooming session gone wrong. Helen is a young woman who has an unusually deep body consciousness; she’s more intimately in touch with her body than any young woman in a recent film. While she’s a prat clearly damaged by her parents’ divorce, Helen is still a promising, even inspiring character. By the end, however, Wetlands throws away her potential in favor of a too-familiar quirky love story.
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A newly minted Oscar-nominee for Best Animated Feature is premiering its English Language version at this week’s Sundance Film Festival and we’ve got your exclusive first look at the poster. The film is called Ernest & Celestine; it tells the story of a rivalry between mice and bears. Directed by Benjamin Renner, Stéphane Aubier and Vincent Patar, the film was a festival darling and was recently named Best Animated Film by the Los Angeles Film Critics Association. The English voice cast is second to none – Forest Whitaker, Mackenzie Foy, Lauren Bacall, Paul Giamatti, William H. Macy, Megan Mullally, Nick Offerman, Jeffrey Wright — and it’ll have three screenings in Park City, UT this week before a theatrical release March 14.
Check out our exclusive debut of the Sundance poster below. Read More »