NOCTURNAL ANIMALS review

Note: With Nocturnal Animals out this weekend, we’re re-running our review from TIFF.

There’s a lot to admire about Nocturnal Animals, the second feature from Tom Ford. The narrative is actually two narratives, beautifully braided together by Ford and brought to life by Amy Adams and Jake Gyllenhaal. It’s pretentious pulp, in a good way — engaging to watch and pretty to behold. But Nocturnal Animals seems to be aiming for profundity, and there it falls short. It’s trying to say something, but what isn’t exactly clear.  Read More »

Loving review

Note: With Loving in limited release this weekend, we’re re-running our review from the TIFF.

Jeff Nichols has never been one for outsized drama. It’s not that dramatic things don’t happen in his movies — on the contrary, his films are full of superpowered kids and apocalyptic dreams and the like. But he often seems less interested in big events than in all the moments in between, the everyday bonds and minute details that make up the textures of everyday life.

In Loving, Nichols applies that same approach to the 1967 Supreme Court case Loving v. Virginia, which struck down anti-miscegenation laws across the country. Aided by awards-worthy performances from Joel Edgerton and especially Ruth Negga, Nichols delivers an intimate drama that feels all the bigger for keeping its scope so resolutely small.  Read More »

Never Happened Short Film

We’ve seen plenty of movies about romantic affairs happening behind the backs of significant others. However, in Mark Slutsky‘s short film Never Happened, which played at the Toronto International Film Festival, there’s a world where those cheating on their husbands and wives or boyfriends and girlfriends don’t have to worry about lying. That’s because there’s a sci-fi twist that changes the way people keep their adulterous behavior from each other.

Watch the Never Happened short film after the jump. Read More »

Black Mirror Season 3 Review

It’s been nearly two years since the last episode of Black MirrorCharlie Brooker‘s tech dystopia anthology series, and over three years since the last proper full season aired. Naturally, then, news that Netflix had commissioned 12 more episodes was met with a combination of excitement and trepidation.

On the one hand, Black Mirror is second to none when it comes to chronicling the way humanity and technology intersect in 2016. On the other, we’ve seen tons of shows renewed after extended hiatuses, only to return as shells of their former selves. Could the third season of Black Mirror live up to the greatness of the first two? Based on the two episodes that screened at TIFF, “San Junipero” and “Nosedive,” the answer seems to be yes.  Read More »

La La Land Review

“They don’t make ’em like this anymore” is a frequent lament when it comes to movies, but it couldn’t be truer in the case of La La Land, an unabashedly old-fashioned musical directed by Whiplash‘s Damien Chazelle. Set in contemporary Los Angeles — with just enough modern-day flourishes to remind you that this is a movie made and set in the 2010s, not the 1950s — La La Land follows a struggling pianist and an aspiring actress who fall in love but find their separate dreams threatening to pull them apart. It’s a story as old as Hollywood and jazz, and Ryan Gosling and Emma Stone feel like a pairing for the ages.

Read More »

The Belko Experiment Review

James Gunn has been tied up with Marvel movies for the past couple of years, but somewhere in there, he found the time to write and produce The Belko Experiment. Greg McLean, the Aussie filmmaker behind the nasty Wolf Creek films, takes the helm, and the result is a simple, entertaining horror-thriller that doesn’t take itself too seriously.  Read More »

Sing Review

Since Despicable Me, Illumination Entertainment has established itself as a go-to source for sturdy family entertainment. Their films may not reach the artistic heights of Pixar or Disney, but you can generally count on them to be perfectly pleasant and inoffensive, able to entertain the kids without annoying the parents.

Sing is Illumination’s first musical, but otherwise it’s cut from the same cloth as the company’s other films. While not especially deep, the combination of a star-studded cast and an equally star-studded music catalogue make for a fun time. It’s light and sweet and pretty as cotton candy, and it dissolves from memory just as quickly.  Read More »

Headshot review

Iko Uwais may not be a household name in the U.S. just yet, but among fans of a certain type of action movie he’s a superstar. The Indonesian actor and martial artist burst onto the scene with Merantau and had an even bigger breakthrough in The Raid. Headshot, from directors Timo Tjahjanto and Kimo Stamboel (collectively known as the Mo brothers, though they are not actual brothers), has Uwais doing what he does best — kicking ass and taking names — with spectacularly entertaining results.  Read More »

Anne Hathaway in Colosssal review

Movies about giant monsters descending upon cities are a common sight, as are movies about chronic screwups trying to get their lives back on track. But if a movie has ever combined those premises before, I haven’t seen it.

Written and directed by Nacho Vigalondo, Colossal stars Anne Hathaway as a hard-drinking, unemployed thirty-something who hits rock bottom when she gets dumped. But her messy life takes an even crazier turn when she realizes that she’s somehow connected to an enormous creature that’s begun terrorizing Seoul. It’s a bizarre conceit that works against all odds, anchored by strong performances from Hathaway as Gloria and Jason Sudeikis as Oscar, Gloria’s childhood friend.  Read More »

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Arrival Review

Denis Villeneuve‘s Arrival begins with a premise we’ve seen in a hundred summer blockbusters. One day, aliens arrive on Earth, in the form of twelve mysterious ships scattered around the globe. Their purpose is unclear, and humanity is naturally both intrigued and terrified. Where it goes next, though, is a welcome return to grown-up sci-fi, more Contact or Interstellar than Independence Day.

For starters, the aliens don’t open with an attack. And we Earthlings don’t, either. Instead, the U.S. military calls upon Louise (Amy Adams), a linguistics professor, to try and make contact with the alien spaceship in Montana. From there, Villeneuve carefully unspools a story that’s equal parts heart and intellect, encompassing memory, language, loss, love, grief, and the passage of time.

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