The SXSW film festival has been ramping up its Midnight programming over the past few years, to the point where each new iteration of the fest sees the debut of at least one or two very worthy genre entries.
Two of the Midnight films this year are 13 Sins and Starry Eyes, and short, violent and intense trailers are available for each. (That’s an excerpt of the spectacular Starry Eyes poster above; see the full image below.) Read More »
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Posted on Monday, March 10th, 2014 by Angie Han
When Jon Favreau released the first Iron Man, he was still seen as an exciting young director on his way up despite having credits like Made, Elf, and Zathura. Then came Iron Man 2 and Cowboys & Aliens, and his name started to elicit more eye-rolls than smiles. But at SXSW this year, he unveiled what seems to be a return to form: a crowd-pleasing indie called Chef.
In it, Favreau plays a once-acclaimed chef rebuilding his life after a heavily YouTubed incident sends his career on the skids. He’s also dealing with a gorgeous ex-wife (Sofia Vergara) and an adorable moppet of a son (Emjay Anthony). So how does this latest effort stack up against some of Favreau’s critically scorned tentpole output? Get the word from SXSW and check out some first-look photos after the jump.
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Film festivals are becoming more accepting of genre films — perhaps it started with TIFF’s excellent Midnight Madness program, which has run for well over a decade, or perhaps it’s simply the more mainstream presence of genre stories and ideas in general, thanks to the popularity of horror and sci-fi on television. Regardless, festivals like Sundance and SXSW are competing with TIFF when it comes to debuting big projects for genre audiences.
SXSW just revealed the ten titles in its Midnighters lineup for 2014, and they include the world premiere of Bigfoot found-footage film Exists from director Eduardo Sanchez. There are also a couple showings of The Guest (above) from the You’re Next team of director Adam Wingard and writer Simon Barrett, with Downton Abbey‘s Dan Stevens starring. Inside creators Julien Maury and Alexandre Bustillo have Among the Living, and the horror film Oculus debuts as well.
SXSW runs from March 7-15. You’ll find the Midnighters selections, and various shorts lineups, below.
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My mind just exploded. Every year, the Mondo Gallery in Austin, Texas hosts a massive art exhibit during South by Southwest but, this year they’ve outdone themselves. They’re teaming with Oh My Disney for a show called Nothing’s Impossible, and it’s all art based on Disney properties.
The show opens March 7 and remains open until March 11. It’ll feature new works by Ken Taylor, Martin Ansin, Kevin Tong, Tom Whalen, Aaron Horkey, Daniel Danger, JC Richard, Mike Mitchell, just a murderer’s row of amazing artists. Only one piece has been revealed, Alice in Wonderland by Ken Taylor, which you can see in part above. Check it out in full below along with all the info. Read More »
We got a list of part of the SXSW premiere lineup of films not long ago, with Veronica Mars and Jon Favreau’s Chef announced as the fest’s first wave of films. Now we’ve got most of the rest of the festival’s lineup. The midnight selections and some inevitable late-breaking additions are still to be announced, but this should be more than enough to get potential attendees excited about the 2014 lineup.
SXSW will feature the premiere of Nacho Vigalondo‘s Open Windows (above), as well as the feature Faults from Riley Stearns, who directed the great short film The Cub. (Faults features Mary Elizabeth Winstead in the lead in a story about cult brainwashing and deprogramming.) There’s also a great set of films imported from Sundance, including Richard Linklater‘s Boyhood, which only played twice in Park City, and films such as The Raid 2 and Frank, the latter of which features sequences shot at last year’s SXSW.
Check out the full lineup below. Read More »
The 2014 Sundance Film Festival hasn’t even started yet and the second huge American film festival on the calendar is already announcing its lineup. That would be South by Southwest 2014, which takes place in Austin TX from March 7-15. The two biggest announcements so far are for opening night, which will feature the world premiere of Chef, directed by Jon Favreau, and the highly anticipated Veronica Mars film. (Which became a Kickstarter sensation during last year’s festival.) But that’s not all. A conversation with Alejendro Jodorowsky, a new film co-written by Mark Duplass, and more are in the first announcements. Read about the first batch of films playing at SXSW 2014 below. Read More »
Editor’s Note: Short Term 12 opened in New York and Los Angeles last weekend and expands this week. Below we’re republishing Germain’s review from South by Southwest 2013 and click here for an interview with the director.
Sometimes you watch a movie and, at the end, can’t think of anything in the film that could have been done better. The whole thing just feels perfect or magical, a shining example of what cinema is all about. Short Term 12 is one of those movies.
Written and directed by Destin Daniel Cretton based on his award-winning 2009 short film of the same name, Short Term 12 stars Brie Larson as Grace. She’s young woman who spends her days overseeing a huge group of foster kids in a group home, many of whom are mentally ill. They suffer from depression, have suicidal tendencies and OCDs. It is Grace’s job — and that of her boyfriend Mason (The Newsroom‘s John Gallagher Jr.) and a new guy (Rami Malek) — to try and keep the kids content while they go about their lives. This is easier said than done when Grace is probably more messed up than everyone else in the building.
Funny, moving, surprising and emotional, Short Term 12 is an awards contender from top to bottom. The performances are mindblowing, the writing sharp, and the direction beautiful. It’s a very special movie, and worthy winner of the 2013 South by Southwest Grand Jury and Audience Awards. Read More »
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(This review originally ran during SXSW, in March. As Much Ado About Nothing hits theaters today, we present it once more.)
In the world of drama, nothing is quite as distinct or lovely as the prose of William Shakespeare. His vocabulary, his rhythm, rhymes and descriptions, all established a standard against which others are still measured. Modern day dramatist Joss Whedon also has a distinct style, characterized by wit, humor, and cultural authority. Surely it’s not in the same league as the Bard’s. But with the writer/director’s modern adaptation of Much Ado About Nothing, Whedon has found an enjoyable and surprising balance between the two.
The film will be released June 7, but had its U.S. Premiere this week at South by Southwest. Read more below. Read More »