These are the movies sold at Sundance 2015. Many of the films that premiere at the Sundance Film Festival are hoping to attract a distributor and find a bigger audience,be it in theaters around the country or distributed through digital VOD. Throughout the festival we will be reporting on all of the movies sold at Sundance 2015. This list should help give you an idea about which movies may someday be available to you either theatrically of VOD. We’re including photo stills from each of the films along with all of the relevant information (director, cast, how much it sold for, the plot synopsis and more). Hit the jump to find out which movies sold at Sundance 2015.
Latest update: Magnolia buys the transgender drama Tangerine for an as-yet undisclosed price.
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Posted on Monday, January 26th, 2015 by Angie Han
You can’t throw a rock at Sundance without hitting a coming-of-age tale, but it’s safe to say Turbo Kid is different from most. The Park City at Midnight entry follows an orphaned boy (Munro Chambers) in a retro-futuristic, post-apocalyptic 1997. After his best friend (Laurence Leboeuf) is kidnapped by the evil Zeus (Michael Ironside), he sets out across the Wasteland on his BMX bike to find her.
Co-director Anouk Whissell describes it as “an old crazy 80s kid movie,” while co-director François Simard adds that it’s “made for the inner children in all of us.” (Yoann-Karl Whissell is the third co-director.) But it’s not made for people who are also children on the outside — it’s gleefully gory, as you’ll see from the first Turbo Kid trailer after the jump.
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In Rodrigo Garcia‘s beautiful and lush film Last Days in the Desert, the journey is uncertain for a while. We follow Jesus, played by Ewan McGregor, as he enters the desert on a journey for truth. “Father, speak to me,” he says. As he walks and thinks, he begins to see visions of Satan, also played by McGregor. He meets a family out in the desert, and the audience may initially wonder what those people are doing out there. But eventually it clicks. We realize the point, just as Jesus probably realizes the point in the narrative, and the film blossoms into something beautiful but not entirely fulfilling. Read more of our Last Days in the Desert review below. Read More »
The Cove director Louie Psihoyos returns to Sundance in 2015 with a new call to action. Racing Extinction is a more wide-ranging documentary than its predecessor, albeit one that is just as sharply produced, and no less stirring. Psihoyos says his intention was to go a lot bigger, and the film follows through by offering a sort of omnibus catalog of several interrelated problems facing life on Earth. If anything, Racing Extinction is too broad to give ample time to every subject, but the sum total of Psihoyos’ efforts is devastatingly effective. Read More »
Going Clear: Scientology and the Prison of Belief is a good primer for, and a very damning and powerful indictment of the church of Scientology. Unfortunately, the film provides little in terms of new revelations, and viewers who have researched the church will find most of the documentary to be familiar ground. Read my Going Clear movie review after the jump.
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On paper, Me and Earl and the Dying Girl doesn’t seem particularly exciting. An adaptation of a book by Jesse Andrews, it’s the story of a high school senior who is forced to become friends with a school acquaintance who is diagnosed with leukemia.
Interesting, yes but not that exciting. Thankfully, Me and Earl and the Dying Girl isn’t merely on paper. It’s a film — in fact, a film that loves film, celebrates film, and is very much about the medium – with beautiful shot composition, tense long takes and elaborate tracking shots. It tells a touching and incredibly funny story with very realistic, honest characters and enough self-awareness to make it all feel modern. Directed by Alfonso Gomez-Rejon and adapted by Andrews, Me and Earl and the Dying Girl had its world premiere at the 2015 Sundance Film Festival this weekend. Read our Me and Earl and the Dying Girl review here. Read More »
Cop Car has the brutal elegance of old-school crime fiction. Two young kids find a seemingly abandoned sheriff’s cruiser in a stand of trees. One thing leads to another, and soon they’re off on a joyride through the countryside. But the sheriff wants his car back, and there’s another wild card factor, too, which draws a noose around all their necks.
Few deeds go unpunished in this daylight noir. Yet even through the increasingly grim action an innocence is maintained that sets Cop Car apart from recent companion films such as Cold in July, The Guest, and Blue Ruin. Getting reductive for a moment, Cop Car is like an Amblin film filtered through the twisted vision of the Coen Brothers. It’s a midnight movie blast. Read More »
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