I want you to go get a piece or paper or open the Notes program on your phone and write down two words: Tokyo Tribe. You’re going to want tangible proof you knew about one of the craziest, most surprising, surreal fun films of the year well before anyone else.
Tokyo Tribe is directed by Shion Sono, a director whose films (Love Exposure, Cold Fish) are usually pretty brutal. For the most part, this one isn’t. In fact, it’s the opposite. Tokyo Tribe is a hip hop musical about gang wars in Tokyo filled with sex, action, rapping and more rapping. Think Les Miserables if it were populated by The Warriors, who acted like they were in a kung-fu version of Beat Street, with the visual aesthetic of Spring Breakers. Set in an Eighties. That almost describes Tokyo Tribe, a film I loved to no end. Read More »
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I literally just walked out of a screening of Force Majeure at Fantastic Fest 2014 and had to let you know about it. Thankfully for me, a new poster and trailer came out earlier this week.
Directed by Ruben Östlund, the film follows a family who are on a ski vacation. When an avalanche unexpectedly hits, everyone is forced into a life or death situation where they’ll reveal their true colors. In one case, they aren’t what they expect. That might sounds like the set up to some kind of horror movie, but Force Majeure walks an absolute stellar tightrope of tone, seamlessly going from uncomfortable to funny, then tense and human. It’s poignant, it’s hilarious, it’s beautifully shot and it’s totally unexpected. The film won a special award at Cannes earlier this year and has been slaying the festival crowd, myself included. Below what the latest Force Majeure trailer and see the new poster. Read More »
Update from editor Peter Sciretta: The following review was published by Germain Lussier on January 19th 2014 from the 2014 Sundance Film Festival. The movie is out in theaters this week:
The films by director Adam Wingard and writer Simon Barrett always have one thing in common. They are obviously influenced by an intense passion for movies, but are not overtly obvious about referencing those movies. In that sense, The Guest might feel like something you’ve seen before. It’s got the basic feel of a stalker film from the late ’80s or early ’90s, but filtered through the action of Quentin Tarantino, the music of John Carpenter, the ideas of James Cameron and almost too many others to mention. There’s action, sci-fi, horror, comedy… you name it, this movie has it. The result is a fresh, fun film that crescendos from title to credits with suspense, laughs and violence. Read More »
The Toronto International Film Festival is unique in a few respects, but one of the most interesting thing about the fest in relation to other film festivals is that the top prize is decided by audiences. The People’s Choice Award may sound like an also-ran TV awards show, but in reality it’s a big deal. You’ve heard of some of the previous winners: 12 Years a Slave, Silver Linings Playbook, The King’s Speech, and Slumdog Millionaire. This year, the prize winner at TIFF was The Imitation Game, in which Benedict Cumberbatch plays pioneering computer scientist Alan Turing. Read More »
Editor’s note: This is our review of The Skeleton Twins from this year’s Sundance Film Festival. It opens in limited release this weekend so we are rerunning.
When Bill Hader and Kristen Wiig were building their careers on Saturday Night Live, they played multiple characters every single week. That took incredible acting chops. Though they’ve since left the show and are concentrating mostly on comedy films, Craig Johnson‘s second film The Skeleton Twins proves these skilled comedic performers can be dramatic as well.
The Skeleton Twins is about estranged siblings, Maggie and Milo, who haven’t spoken in a decade. After they are reunited by tragedy their relationship is quickly rekindled, but deep old wounds re-open. That may sound overly solemn and, at its heart, The Skeleton Twins is certainly a drama. But you don’t cast Hader and Wiig just to cry and be depressed. The chemistry they built for years on TV sizzles on the big screen in characters with an exuberant realism. The movie itself is good, but Hader and Wiig make it great. Read More »
Netflix has released the trailer for Print The Legend, Luis Lopez and J. Clay Tweel‘s documentary about the 3D printing revolution. The streaming company acquired the movie at the SXSW Film Festival this March, where it was met with good reviews (Indiewire called it “a slick documentary with widespread appeal”. Watch the Print The Legend trailer embedded now after the jump.
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Christian Petzold, director of Barbara, had a new film premiere in Toronto this week, and the people who love Phoenix really love it. Called a Hitchcockian thriller set in post-WWII Berlin, the film features Nina Hoss as a concentration camp survivor who goes to great lengths to find her husband, from whom she was separated before her internment. But he could have a darker role in her wartime experience than she originally believed. Check out the Phoenix trailer below. Read More »
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The tenth annual Fantastic Fest kicks off in Austin TX in just over a week, and the final wave of programming has just been unveiled. There’s a lot here, and in addition to the films the fest has announced appearances from James Gunn, Edgar Wright, Nicolas Winding Refn, and Ti West.
This programming wave might be the best yet, as it features the Toronto midnight madness hit It Follows, the full director’s cut of Nymphomaniac, rare exploitation gem The Astrologer (presented by Refn), the premiere of The Hive, sci-fi Automata, and Joe Lynch’s one-room action thriller Everly. Then there’s perhaps the thing I most want to see in this group, the US debut of Duke of Burgundy, the new film from Berberian Sound Studio director Peter Strickland. Check out the lineup below, and we’ll have trailers for quite a few of these shortly. Read More »