The Toronto International Film Festival is unique in a few respects, but one of the most interesting thing about the fest in relation to other film festivals is that the top prize is decided by audiences. The People’s Choice Award may sound like an also-ran TV awards show, but in reality it’s a big deal. You’ve heard of some of the previous winners: 12 Years a Slave, Silver Linings Playbook, The King’s Speech, and Slumdog Millionaire. This year, the prize winner at TIFF was The Imitation Game, in which Benedict Cumberbatch plays pioneering computer scientist Alan Turing. Read More »
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Editor’s note: This is our review of The Skeleton Twins from this year’s Sundance Film Festival. It opens in limited release this weekend so we are rerunning.
When Bill Hader and Kristen Wiig were building their careers on Saturday Night Live, they played multiple characters every single week. That took incredible acting chops. Though they’ve since left the show and are concentrating mostly on comedy films, Craig Johnson‘s second film The Skeleton Twins proves these skilled comedic performers can be dramatic as well.
The Skeleton Twins is about estranged siblings, Maggie and Milo, who haven’t spoken in a decade. After they are reunited by tragedy their relationship is quickly rekindled, but deep old wounds re-open. That may sound overly solemn and, at its heart, The Skeleton Twins is certainly a drama. But you don’t cast Hader and Wiig just to cry and be depressed. The chemistry they built for years on TV sizzles on the big screen in characters with an exuberant realism. The movie itself is good, but Hader and Wiig make it great. Read More »
Netflix has released the trailer for Print The Legend, Luis Lopez and J. Clay Tweel‘s documentary about the 3D printing revolution. The streaming company acquired the movie at the SXSW Film Festival this March, where it was met with good reviews (Indiewire called it “a slick documentary with widespread appeal”. Watch the Print The Legend trailer embedded now after the jump.
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Christian Petzold, director of Barbara, had a new film premiere in Toronto this week, and the people who love Phoenix really love it. Called a Hitchcockian thriller set in post-WWII Berlin, the film features Nina Hoss as a concentration camp survivor who goes to great lengths to find her husband, from whom she was separated before her internment. But he could have a darker role in her wartime experience than she originally believed. Check out the Phoenix trailer below. Read More »
The tenth annual Fantastic Fest kicks off in Austin TX in just over a week, and the final wave of programming has just been unveiled. There’s a lot here, and in addition to the films the fest has announced appearances from James Gunn, Edgar Wright, Nicolas Winding Refn, and Ti West.
This programming wave might be the best yet, as it features the Toronto midnight madness hit It Follows, the full director’s cut of Nymphomaniac, rare exploitation gem The Astrologer (presented by Refn), the premiere of The Hive, sci-fi Automata, and Joe Lynch’s one-room action thriller Everly. Then there’s perhaps the thing I most want to see in this group, the US debut of Duke of Burgundy, the new film from Berberian Sound Studio director Peter Strickland. Check out the lineup below, and we’ll have trailers for quite a few of these shortly. Read More »
Kevin Smith‘s latest film Tusk premiered Saturday night at the 2014 Toronto International Film Festival as part of the festival’s Midnight Madness selection. The first reactions have been flooding twitter, and it seems like everyone agrees: the movie is fucked up. Is that a good thing? The film reportedly received a standing ovation, and most of the reactions seem to be positive. Hit the jump to read the Tusk early buzz and see the first tweet reactions to Kevin Smith’s new horror indie.
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Jason Reitman‘s latest film Men, Women & Children has screened at the 2014 Toronto International Film Festival, and we have compiled the tweets coming out of the first Press & Industry screening. Its a mix of mostly positive (18 people) but also negative (10 people), with some critics like Owen Gleiberman and Ed Douglas touting it as a complex return to form while others like Jeff Wells calling it “soulless” and Ben Lyons leaving the screening tweeting that the film made him “very, very angry…”. The public premiere happens at the Ryerson theatre tonight, and I expect we’ll see a more positive response from the non critic/industry audience.
Many didn’t respond to Reitman’s last film Labor Day, which I enjoyed – connecting with the coming of age stuff, which was filmed near my hometown and set in the period of my upbringing. But unlike Jason’s previous films, Labor Day didn’t have a lot to say about us. I’m excited for Men, Women & Children because it looks like its more in line with what I connected to in his previous films. You can read all of the compiled tweets and reviews after the jump.
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The Midnight Madness program at the Toronto Film Festival is one of the most reliable lineups of provocative genre movies each year — programmer Colin Geddes does a great job of choosing films that are memorable and full of new talent. Here’s the Cub trailer, which will be your first look at one of this year’s Midnight Madness titles.
Jonas Govaerts makes his debut as a director with the film, which tells the story of “a troupe of young Cub Scouts who find themselves stalked by a psychopathic huntsman who has riddled the forest with ingenious and deadly traps.” There’s some weird stuff and much bloody violence in this trailer. Oh, and the film boasts a score by Steve Moore, from the band Zombi, who also did music for Adam Wingard’s The Guest. You won’t hear the score here, but check out the trailer below. Read More »