Posted on Tuesday, October 6th, 2015 by Jacob Hall
Jeremy Saulnier‘s Green Room is the cinematic equivalent of getting your face bashed in. In a good way, of course. This take-no-prisoners thriller has been making the festival rounds throughout 2015, sucker-punching unsuspecting audiences from Cannes to Toronto. It’s a mad and brilliant movie… and it’s already been picked up by A24, who have officially given this gruesome instant-gem a release date.
For details on the Green Room release date, hit the jump!
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Son of Saul is a significant achievement made all the more astonishing by the fact that it is the director’s debut feature. This intimate story from within the Holocaust avoids World War II movie cliches, turning away from convention to embrace an unflinching vision of one man’s quest for redemption in the inferno of Auschwitz.
The phrase “Holocaust movie” may inspire an instinct to avoid rather than rush towards a film; in this case please don’t give in. Son of Saul approaches its subject without gingerness or caution, but this film’s spirit never falls into exploitation. More important, focusing on one man’s experience does not trivialize the weight of the story’s context. Seeing the Holocaust through Saul’s own personal mission gives us a view of the genocide that is unlike any other in cinema. Read More »
Earlier this summer, Gaspar Noé’s brought his controversial romance Love to Cannes as an out of competition entry, and since then it’s been making the rounds at Toronto and Athens. But soon this erotic, X-rated, 3D film will be coming to limited theaters, and the first Love trailer has just arrived to tease the arousing story.
The story follows Karl Glusman as Murphy, a young man who ends up on a journey trying to find his missing girlfriend, reflecting on the two years they spent together. The trailer after the jump doesn’t have any nudity, so it’s mostly safe for work, however, at the bottom of the page we’ve included some NSFW clips, so beware of scrolling too far down. Read More »
For cinephiles, one of the most helpful and revered books is Hitchcock/Truffaut, the 1967 publication that features French filmmaker Francois Truffaut sitting down with legendary director Alfred Hitchcock for a week-long conversation that spanned the master of suspense’s entire career up to that point.
The book (which you can pick up right here) was full of insight and wisdom with regards to Hitchcock’s filmmaking style and sensibilities, and it has been referenced as being a catalyst for opening the eyes of many filmmakers. And now some of cinema’s best have sat down to talk in a documentary that serves as a sort of appendix to the book, providing plenty of details about Hitchcock’s filmmaking process.
Watch the Hitchcock Truffaut trailer after the jump! Read More »
Posted on Monday, September 28th, 2015 by Angie Han
As what IMAX calls “An IMAX 3D Experience,” Robert Zemeckis‘ The Walk is excellent. From the moment Joseph Gordon-Levitt touches his toe on that tightrope, The Wire becomes the kind of intensely visceral experience you can only truly experience in a movie theater*, preferably one equipped with an extra-jumbo screen and 3D projection.
As a narrative feature, however, The Walk is somewhat less accomplished. Gordon-Levitt is as watchable as always, but the film never truly reveals Philippe Petit. In trying to make Petit feel universal, Zemeckis erases what makes him special.
* Well, at least until virtual reality becomes a more common form of entertainment — but more on that later. Read More »
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Posted on Monday, September 28th, 2015 by Angie Han
Note: While the first page of this review is spoiler-free, the second goes deep into spoiler territory. We ask that you mark spoilers in the comments, but proceed into the comments at your own risk.
To the best of my memory, I’ve only ever walked out on three movies in my life. Twice, it was at the behest of other people; once, I was simply bored. All three times were years before I began watching movies for work.
I did not walk out on Goodnight Mommy. But I came as close as I ever have in my professional career, which is a testament to how disturbing the film gets. And yet, in the end, I had to admit it more than paid me back for my deep discomfort, which is a testament to how ultimately brilliant it is. Read More »
After playing Cannes this summer and the Toronto International Film Festival earlier this month, Takashi Miike‘s latest flick is on the way to theaters in October, and it looks positively insane.
Yakuza Apocalypse is a crime thriller with a whole lot of martial arts action, and this one also has vampires for some reason. For those who need to see what this movie is all about, a red band trailer has just surfaced showing off just how wacky this movie is going to be. Stay until the end of the Yakuza Apocalypse red band trailer to see a guy in a big frog suit kicking some ass. Read More »
The guy who made Bronson and Drive wants to take you on a trip to the 42nd Street of ’60s and ’70s New York City. As a guidebook, he offers a collection of lurid and strange movie posters.
Of course Nicolas Winding Refn, a writer and director, and a participant in The American Genre Film Archive, is a wildly knowledgable cinephile. He has an incredible collection of exploitation movie posters that is now being published as the book Nicolas Winding Refn: The Act of Seeing. Guided by Refn and written by Alan Jones, the founder of Film 4 Fright Fest, The Act of Seeing gives museum treatment to posters that were thought of as anything but art when they adorned the windows of grindhouse theaters decades ago.
I spoke to Refn about his collection and the appeal of the films these posters represent, even when the posters are less than honest about the movies they’re selling. Our conversation ranged into the raw basement design of bootlegged images for stolen films, and the appeal of the 1961 Dennis Hopper film Night Tide. Read More »
The second MondoCon begins in just over a week, following immediately on the heels of Fantastic Fest. When MondoCon 2015 kicks goes down on October 3 and 4 at the Marchesa Hall & Theater in Austin, TX, one of the prints available will be a dramatic art deco-styled poster for The Rocketeer, from artist Martin Ansin. Check out both the regular and variant Rocketeer MondoCon posters below. Read More »