Dunkirk Spoiler Review

(In our Spoiler Reviews, we take a deep dive into a new release and get to the heart of what makes it tick…and every story point is up for discussion. In this entry: Christopher Nolan’s Dunkirk.)

In Christopher Nolan movies, the clock is always ticking.

Time is a precious commodity, and it’s also a luxury that the characters who inhabit Nolan films do not have. With his tenth film, Dunkirk, Nolan applies his favored ticking clock narrative to its fullest, crafting arguably his best film, or at least the film that most exemplifies his considerable talents. It’s also in a way a rebuff of the criticisms that have dogged many of his films up until this point – if you thought some of Nolan’s films before Dunkirk were too exposition-heavy, here is a film with almost no exposition to speak of. If you believed his previous movies lacked emotion or feeling, witness this: a film that is relentlessly tense and harrowing, concluding with a moment of perfectly rendered emotional triumph. It seems hyperbolic to throw the “masterpiece” designation around so soon after a film is released, but if Nolan’s Dunkirk isn’t officially a masterpiece yet, time may eventually fully reward it that distinction. The clock is ticking.

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Spider-Man Homecoming Spoiler Review

(In our Spoiler Reviews, we take a deep dive into a new release and get to the heart of what makes it tick…and every story point is up for discussion. In this entry: Jon Watts’ Spider-Man: Homecoming.

The hype is real — Spider-Man: Homecoming is definitely the best Spider-Man movie made to date. The film, which stars Tom Holland as a fresh-faced Peter Parker, gives us our best version of the character as well as the most realistic, most diverse on-screen version of Queens in a Spider-Man film. There are a ton of positives with this film, as well as some food for thought, so without further ado, let’s get into it.

Spoilers ahead.

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The Handmaid's Tale Spoiler Review

(In our Spoiler Reviews, we take a deep dive into a new release and get to the heart of what makes it tick…and every story point is up for discussion. In this entry: the first season of Hulu’s The Handmaid’s Tale.)

There’s no denying that The Handmaid’s Tale is powerful. Its story of a distinctly American dystopia in which women’s rights are oppressed and their bodily autonomy is stolen by a totalitarian government is gripping and timely, with more real-world implications by the minute. But it is a TV show, and “powerful” can only take a series so far.

The Hulu show inevitably had to make some deviations from the Margaret Atwood novel upon which its based, transforming The Handmaid’s Tale from a dismal cautionary tale into a more conventional, hopeful sci-fi thriller. And while this isn’t necessarily a bad thing, it presents a whole new host of problems for the show to deal with in its confirmed second season.

Spoilers ahead for the first season of The Handmaid’s Tale.

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house of cards season 5 spoiler review

(In our Spoiler Reviews, we take a deep dive into a new release and get to the heart of what makes it tick…and every story point is up for discussion. In this entry: season 5 of Netflix’s flagship series House of Cards.)

Can we take a minute to bow down to Robin Wright? The Oscar-nominated actress was last seen as Antiope on the big screen annihilating a bunch of angry male villains donning a big ole smile and golden warrior gear like a badass in Wonder Woman. Though she was only in the movie (which, in case you haven’t heard, is now the biggest blockbuster from a woman director ever) for a few memorable scenes, her presence encapsulates everything that movie represents: strength, femininity, and command.

The same can be said of Wright’s performance in season 5 of House of Cards, now streaming on Netflix.

Spoilers begin right here.

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mummy

(In our Spoiler Reviews, we take a deep dive into a new release and get to the heart of what makes it tick…and every story point is up for discussion. In this entry: Alex Kurtzman’s The Mummy.)

Bad news: The Mummy has risen from the tomb, and it stinks! Universal Pictures bet big on the first film in their “Dark Universe” – a cinematic universe meant to capture the magic of the Marvel movies. The studio was hoping that the surest way to success was to take characters they already owned and fit them into an uninspired action movie formula. The results are stunningly inept. Just how did this film go so wrong? Let’s excavate this monster and get to the bottom of it all.

Spoilers ahead.

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it comes at night spoiler review

Trey Edward Shults’ It Comes At Night opens today and while it’s not the movie being sold in the trailers, it’s an exceptional piece of work. Tense and unsettling and bleaker than bleak, it’s going to rattle nerves of audiences everywhere this weekend. And everyone who sees it is probably going to have a lot to talk about.

Alex Riviello and Jacob Hall certainly did. Unable to get the film out of their minds, the two of them sat down to talk about the movie in spoiler-filled detail.

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wonder woman spoiler review

(In our Spoiler Reviews, we take a deep dive into a new release and get to the heart of what makes it tick…and every story point is up for discussion. In this entry: Patty Jenkins’ Wonder Woman.)

It’s astounding that in this day and age, when superheroes are either disillusioned or self-deprecating, that we can have a hero like Wonder Woman. In the bleak DC Cinematic Universe, where nihilism reigns supreme, here we have a hero who champions the ideas of hope, compassion, and goodness.

Diana (Gal Gadot) is not dissimilar from the Disney princesses, who have long been heroes of overwhelming empathy. They are aspirational figures who exist in an elevated reality — fairy tales themselves are metaphorical by nature, and rarely depict anything other than a black and white reality. This is Diana at the beginning of the film, the embodiment of the ultimate Disney princess, for all the gifts and faults that they have — though thankfully without the frequently troublesome depiction of an “evil” mother or stepmother figure commonly seen in fairy tales.

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Fargo The Law of Inevitability Review

(Every week, we’re going to kick off a discussion about Fargo season 3 by answering one simple question: who f*cked up the most this week?)

The blue streak continues on Fargo. Life has never been worse for Sy Feltz (Michael Stuhlbarg), Emmit Stussy (Ewan McGregor), and maybe Nikki Swango (Mary Elizabeth Winstead), who’s mysterious and world-weary enough to indicate season 3 of Fargo is far from her first bad time in Minnesota. Noah Hawley‘s FX series experiences the shockwave of last week’s shocking episode in “The Law of Inevitability,” in which Chief Moe Dammick (Shea Whigham) enlightens us on the mashed potato theory and how he proceeds when the sun is out.

Below, check out our latest Fargo review.

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bloodline season 3 review

The Rayburn family is a complicated bunch. John Rayburn (Kyle Chandler) once believed they were good people who just did a bad thing, but in season three, the waters get even murkier. In the emotional, sometimes frustrating third and final season, the family takes some long, contemplative looks in the mirror.

Below, check out our spoiler-filled Bloodline season three review.

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If you think Richard Hendrix is awkward, imagine having sex with him.

Actually, scratch that – don’t ever think about that. The descriptions are enough. Clanking teeth. “All elbows.” Someone who says “Gulp” out loud when a woman takes her bra off. Yeah, Richard gets laid in this episode and that’s enough awkward for anyone to take.

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