Posted on Wednesday, September 7th, 2016 by David Chen
Clint Eastwood’s Sully has one of the most tense, nail-biting plane-landing sequences ever put to film. Based on the real-life story of Captain Chesley “Sully” Sullenberger’s “Miracle on the Hudson,” Sully features Tom Hanks and Aaron Eckart as pilots flying US Airways Flight 1549 on the morning both of its engines failed shortly after takeoff. As the plane begins its descent into the Hudson River, we see diverse groups of New York civil servants galvanized into action, all of them attempting to save innocent passengers’ lives. It’s riveting and inspiring, even as we already know how this particular story will end.
Unfortunately, the rest of the film is not as compelling, featuring a few interesting ideas about the events of that day that are never fully explored. See my full video review of Sully below.
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There’s some big buzz surrounding another anticipated premiere out of the Venice Film Festival. This time, it’s Mel Gibson‘s return behind the camera for the first time in 10 years that is garnering plenty of attention.
Hacksaw Ridge is a war drama based on the true story of Desmond Doss, a young Seventh Day Adventist who drew criticism from his fellow soldiers for sticking to his Pacifist beliefs and never picking up a weapon during his time serving in the military during World War II. Miraculously, the soldier single-handedly rescued 75 of his wounded brothers in one night, earning him the Medal of Honor. The story paints the portrait of a man who stood by his own beliefs and credited God with his heroic feats, and Mel Gibson doesn’t shy away from a message of faith in the face of adversity.
The first Hacksaw Ridge reviews have arrived from the festival, where the film received a 10-minute standing ovation. While there’s plenty of praise for an astounding performance by Andrew Garfield and some incredible, harrowing battle footage in the vein of Saving Private Ryan, it sounds like the film has problems in its lack of subtlety. Read More »
Right now you can see Yoga Hosers in select theaters if you’re in the mood to see the latest insane romp from Kevin Smith. The filmmaker behind Clerks, Dogma and most recently the weird horror movie Tusk has said that he set out to make a movie that he would have wanted to watch if he were a 12-year old girl. However, I’m not sure there’s anything in the movie that’s really appropriate for tweens to see. But that’s a different conversation entirely.
Regardless of the appropriateness of the movie for certain ages, the reviews of the movie haven’t been very kind. The movie stands at 21% on Rotten Tomatoes (with a 3.5 rating out of 10), and even Kevin Smith’s most loyal fans haven’t found much to like about the movie. But since Kevin Smith has made nice with critics (apparently by way of this very movie), he decided to face the criticism head-on by reacting to some of the more scathing reviews on a recent episode of his podcast Hollywood Babble-On with Ralph Garman.
Kevin Smith reacts to Yoga Hosers reviews after the jump along with a video featuring a clip where the director gets a little emotional while answering a question posed to him by the film’s star, his daughter, Harley Quinn Smith. Read More »
Posted on Friday, September 2nd, 2016 by David Chen
Derek Cianfrance’s Blue Valentine blew me away when it debuted at Sundance in 2011, with its evocative style and its powerful performances. Thus, I was excited to learn Cianfrance would be applying his skills to a period drama starring Michael Fassbender and Alicia Vikander in The Light Between Oceans.
Oceans is grander on every level — in its setting, its scope, its ambition, and the emotional heights of its performances. And while its latter half does give way to some overwrought moments and dialogue, I never lost sight of the central, compelling connection that the two protagonists had with each other. Hit the jump to see my full video review of the film.
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Posted on Thursday, September 1st, 2016 by Fred Topel
Jean-Claude Van Damme’s franchises had a rough go back in the day. Both Bloodsport and Kickboxer continued with straight-to-video sequels that not only did not star Van Damme, but featured completely new characters. Yet reigniting Universal Soldier decades later on video signaled a return to form for Van Damme and delivered that franchise’s two best entries. So rebooting Kickboxer, primarily for VOD and limited theatrical release, is a smart proposition. It elevates the franchise from it’s Van Damme-less phase and exemplifies the kind of fighting that today’s martial artists can do. Read More »
Last night, Damien Chazelle‘s musical romance La La Land premiered at the Venice Film Festival on the other side of the world. The film is one of my most anticipated films of the year, so I couldn’t be happier to hear all the positive buzz coming from the premiere.
The first La La Land reviews reaffirm what we’ve observed from the trailers, calling the film a loyal homage to classic movie musicals, shot magnificently, and acted superbly by stars Ryan Gosling and Emma Stone with some astounding original music. However, for all the praise that calls the film audacious, exciting and passionate, some reviews also point out that the film has difficulty balancing the fantastical nature of the musical style with the raw, emotional drama that comes between musical numbers, making the film a little uneven.
Read some the early La La Land reviews have to say after the jump. Read More »
I can’t remember the last time I watched a movie like Fede Alvarez’s Don’t Breathe.
Don’t Breathe is a film in which I was so tense, I felt sore afterwards from how on edge I was. Don’t Breathe is a movie where the audience was so engrossed for the duration that I barely heard them make a peep or shift in their seats. Don’t Breathe is one of those movies whose jump scares actually make you physically jump and make embarrassing exclamations out loud in a theater full of strangers (the only other movie experience that even comes close this year is Jeremy Saulnier’s Green Room).
Check out my video review of Don’t Breathe below and feel free to share your thoughts on the film below.
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Posted on Thursday, August 25th, 2016 by Angie Han
Note: With Southside With You in limited release this weekend, we’re re-running our review from the Sundance Film Festival.
Richard Linklater’s Before Sunrise has sparked dozens of imitations, some better than others, but Southside With You is almost certainly the first time it’s inspired a biopic based on a sitting U.S. president. Written and directed by Richard Tanne, the gentle indie romance chronicles the charmed first date of Barack Obama (Parker Sawyers), then a summer associate at a Chicago law firm, and Michelle Robinson (Tika Sumpter), then a second-year associate and his mentor at the same firm. Read More »
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Note: With Sausage Party in theaters this weekend, we’re re-running our review from San Diego Comic-Con.
Seth Rogen has said on a number of occasions that the desire to make his own animated movie came from a love for Pixar movies. Even though he didn’t exactly grow up on them as a child (he was already 14 when the first Toy Story arrived in 1995), he’s still loved them immensely as an adult. However, if Rogen was going to attempt to make his version of a Pixar movie, you know it wasn’t going to be anywhere near family friendly.
Sausage Party had a special screening here at Comic-Con last night, and the final result of years of development, test screenings and hard work is an outrageous comedy that brings the laughs hard, and all the most raunchy and raw hilarity hasn’t even been touched by the movie’s marketing.
Get our full Sausage Party review after the jump. Read More »
Posted on Tuesday, August 9th, 2016 by Angie Han
Unless you’ve been living down in the sewers, Killer Croc-style, for the past week, you’ve surely heard by now that Suicide Squad was not much loved by critics. One logical explanation for this is that Suicide Squad just isn’t a great movie — that it’s too messy or overstuffed or ugly. But some people have a different theory. John Ostrander, creator of the Suicide Squad comics, thinks it’s because critics just “came prepared to hate” the movie. Here we go again. Read More »