Posted on Wednesday, August 31st, 2016 by Angie Han
Like a lot of filmmakers, Spike Jonze started out directing music videos and commercials, and also like a lot of filmmakers, he still likes to return to short-form projects from time to time. Recently, he teamed up with French fashion house Kenzo to help promote their new fragrance, Kenzo World. But what they came up with isn’t your typical perfume ad, with sexy models lounging around and whispering seductive nonsense phrases. It starts out looking like it could be one, but then turns into something much weirder and cooler than that.
Basically, imagine Jonze’s own “Weapon of Choice” music video, but with the manic, expressive choreography of Sia’s “Chandelier.” Then drop The Nice Guys actress (and trained ballerina) Margaret Qualley into the middle of it all, and that’s the new Spike Jonze perfume ad right there. In other words, it’s something you definitely want to put in front of your eyeballs right this second. Click ahead to do just that. Read More »
During periods of his career, Martin Scorsese has enjoyed working with one lead actor over and over again. In the Seventies, Eighties and Nineties, that actor was Robert De Niro. In the last two decades, it was Leonardo DiCaprio. However, the three have never worked together on a feature film. That’s the gag in a series of commercials for two casinos in Manila, Philippines.
Scorsese directed the commercials, which star DiCaprio and De Niro as themselves, competing for a same role. However, these are not just commercials. These are basically trailers for a short film called The Audition that will also bring Brad Pitt into the mix. Yes, it’s a Martin Scorsese directed short starring DiCaprio, De Niro and Pitt. And rumor has it, each actor made over $10 million for the work. Check out the Martin Scorsese Leonardo DiCaprio Robert De Niro commercials below. Read More »
The day a movie turns a profit, the vultures come out to pick. More often than not when a movie becomes a hit, people accuse the filmmakers of stealing their ideas and sue them for a taste of the profits. A recent example is the highest grossing movie of all time, Avatar. Writer director James Cameron and Lightstorm Entertainment are reportedly fighting multiple lawsuits concerning the film, one in particular from a man named Gerald Morawski who accuses Cameron of stealing his pitch about a war between a native tribe and a mining company.
To combat this lawsuit, the filmmaker wrote a 45-page text for the court, nearly a small autobiography, detailing all the points in his life where Avatar began to blossom into an idea. They date back to his childhood. One of the biggest examples, though, is a short film he created in 1978 called Xenogenesis, which Cameron says in the document, contains material that “may be used in the Avatar sequels.” What could that mean? Watch the film yourself and discuss below. Read More »
The internet can be a miracle. Years ago, we might have read about the very early work of certain filmmakers — commercials, short films, and so-called ‘industrials,’ aka informative films made for companies or schools — but they were often very difficult to find. We knew about these journeyman periods from various directors, but couldn’t easily view them. Now, when someone finds a rare copy of a famous filmmaker’s early work, it takes only minutes to digitize and upload to YouTube, where it becomes part of public record once more.
Case in point: Modern Football, one of the earliest films made by the late Robert Altman (M.A.S.H., Nashville, Gosford Park).
Altman’s early film work began in the late ’40s, and until the mid-’50s he made dozens of industrials. Modern Football, made in 1951, is reportedly Altman’s second film ever. (Some peg it as his first, but I’ve seen references to another industrial from ’49.)
Few have seen this half-hour movie in the last few decades, but another filmmaker recently found a 16mm among a collection of industrials at a flea market in Kansas City. The film has been uploaded to YouTube, and you can have a look below to get a taste of Altman’s very early work. Read More »
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Posted on Monday, February 28th, 2011 by Angie Han
Tim Burton isn’t the only notable director whose promise showed from early on — we have here a student film by fellow California Institute of the Arts alumnus Pete Docter, titled Winter. Docter, of course, is one of Pixar’s most prominent staff members and is best known for directing Monsters, Inc. and Up. He has also done screenwriting and animation work on Toy Story, Wall-E and various other Pixar films.
In Docter’s short film, a young child gets excited when he notices falling snow, only to find that once he’s gotten into his winter clothes, he’s so bundled up that he’s unable to actually enjoy the snow. At just one minute and 36 seconds, Winter has probably the highest joy to time ratios you’ll encounter all day. Watch it after the jump.
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NBA All Star Weekend has just concluded and besides the All Star Game, 3-Point Shootout and Slam Dunk Contest, one of the biggest happenings in the world of the basketball was a new film by Robert Rodriguez. The director of Sin City and Spy Kids teamed up with Nike and Los Angeles Lakers star Kobe Bryant, along with Bruce Willis, Danny Trejo and Kanye West, for a basketball-influenced grindhouse short action film called The Black Mamba. We showed you the poster and a few trailers for the 6 minute movie earlier this month and now, we’ve got the full film embedded after the jump. Read More »
Last year, we featured a beautiful zombie short film titled I Love Sarah Jane. If you haven’t seen it yet, check it out right now. It was screened at the 2008 Sundance Film Festival, and many regional film festivals around the world. And aside from being awesome, it is notable for featuring Mia Wasikowska, who later became Alice in Tim Burton’s Alice in Wonderland.
Writer/director Spencer Susser has been working in commercials and music videos , but has finally completed his first feature film, an indie dramedy titled Hesher starring Joseph Gordon-Levitt, Rainn Wilson, and Natalie Portman, which premiered at the 2010 Sundance Film Festival (more here, review here).
This week our friends at FilmSchoolRejects posted a short film Susser wrote and directed in July 2005 titled A Love Story, which I had never seen before. The tagline is “love hurts” and this film is the literal example of that famous saying. The one and a half minute short stars Branden Williams & Amy Smart. Watch it now, embedded after the jump.
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Sin City/Planet Terror/From Dusk Till Dawn helmer Robert Rodriguez recently directed a music video for fellow Austin-based musician Bob Schneider‘s “40 Dogs (Like Romeo and Juliet),” the first single off Schneider’s latest album “Lovely Creatures.” The video stars Kat Dennings, who is probably best known from Nick and Norah’s Infinite Playlist and her small role in The 40-Year-Old Virgin, but she previously worked with Robert on his family film Shorts. The video was shot over a weekend around the streets of Austin. Watch the video now embedded after the jump thanks to IFC.
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After a premiere at Sundance and several themed screenings around the UK, Spike Jonze‘ roboromance I’m Here has now arrived online for viewing in its bittersweet entirety. You’ll have to set aside 30 minutes for this one, so sneaking a peek in the office while the boss isn’t looking might prove a little harder than with Ow! Charlie Bit Me or David After Dentist.
Unfortunately, the film’s sponsor/financier Absolut is strictly limiting the amount of screenings per day. As we checked, there were 700 or so available and just publishing this post will take a big bite out of that number. If you’re too late, however, I’d definitely recommend bookmarking and checking back on the morrow and maybe checking out the trailer in the meantime.
There’s two new music promos of note for film enthusiasts, one from a music video director who branched into movies and the other, vice versa.
You can see both Michel Gondry‘s promo clip for Mia Doi Todd and David Lynch‘s introduction clip for Ariana Delawari‘s album Lion of Panjsheer embedded below the break. There’s no way you’d get them mixed up: these works fall quite comfortably inside the expected output of their respective creators. But bear in mind that it’s a post Inland Empire digital sketch-artist Lynch we’re dealing with here, not the more painterly artist of his previous works.
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