Posted on Wednesday, December 4th, 2013 by David Chen
Spike Lee’s Oldboy is a curiosity to be sure, a remake of a bizarre, twisted, gruesome Korean thriller. Most people thought Lee’s film was pretty terrible, and while I don’t have too many positive things to say about it, I did find it fascinating to compare the decisions that Lee made with those that Park Chan-wook made in his 2003 cult classic version of the story.
After the jump, you’ll find five reasons why I thought Lee’s version is inferior to Park Chan-Wook’s version. And please share your own opinions on the two films in the comments. Assume SPOILERS lie within the comments and the video. For more on the making of Oldboy, see Germain’s interview with Spike Lee and writer Mark Protosevich.
Read More »
Please Recommend /Film on Facebook
Rumors have swirled for months about whether or not Henry Cavill and Ben Affleck will be joined by another hero in the sequel to Man of Steel. Now we have the answer: Gal Gadot (the Fast and the Furious series) will be Wonder Woman in Zack Snyder‘s upcoming Batman Vs. Superman. Read More »
The new film from Spike Jonze is Her, which delves into the strangeness of modern relationships through an unusual device: Joaquin Phoenix plays a man who falls in love with a piece of software, appealingly voiced by Scarlett Johansson.
Set in a slightly sci-fi near-future Los Angeles, the story features Phoenix interacting with Johansson in voice only, through an earpiece that allows him to stay in constant contact with the operating system of his dreams. This is no glib gag laughing at the idea of a man/machine romance, however, but an earnest inquiry into what makes relationships tick.
There’s a new trailer out today, which you can see below. Read More »
There are many misconceptions about IMAX. What films are shot in the format? What films are exhibited in the format? Why are some screens certain sizes and others so much smaller? One fact is, with The Hunger Games: Catching Fire now in theaters, it’s officially the first time two studio features shot in IMAX have been released in the same year. To mark the occasion, we spoke to Hugh Murray, the SVP of Film Production at IMAX as well as Adam Davis, the Executive Director of Corporate Communications at IMAX, to discuss some of these misconceptions and talk about the innovations and choices being made, both in Catching Fire, and at IMAX in general. Read More »
There’s one major downside to the way Adam McKay and Will Ferrell make movies. Eventually, they have to go through the footage and pick out one joke for any given moment. When making a film like Anchorman 2: The Legend Continues, the director and star shoot so much footage that, once they finally made it into the editing room, the difficult work finally began.
Back in October, a group of journalists visited the Paramount Pictures lot in Hollywood and met with McKay and his editor Brent White while they were still working on the film. During our discussion we learned how long the initial cut was, about that rumored second version of movie, the test screening process, and how Seth Rogen almost ruined the film in post-production. We heard of an alternate ending and musical numbers, and saw two hilarious scenes from the December 20 release.
Below, read about all that and more as I present 12 fun facts from a visit to the edit bay of Anchorman 2: The Legend Continues. Read More »
There’s a vast difference between simply making a movie and taking the time to develop a new idea to make a movie about. It’s the difference between franchises releasing a new sequel every year, and the work of Spike Jonze, a filmmaker who up to this point has only made three movies in 15 years. His fourth film, Her, is the director’s first original screenplay. It’s everything you’d hope for from the mad genius who brought to life Being John Malkovich, Adaptation and Where the Wild Things Are.
Her is a dramatic sci-fi romance about a man named Theodore (Joaquin Phoenix) who falls in love with his artificially intelligent computer operating system (voiced by Scarlett Johansson). It’s a simple, yet brilliant conceit realized with depth and emotion, two rare traits in mainstream cinema. The depth comes from Jonze’s ideas about technological dependence and loneliness, and the emotion is conveyed as the film raises questions about what it means to love and our capacity to do so. It’s a film that’ll both spark intelligent debate and plenty of tears.
Read More »
The Hunger Games: Catching Fire isn’t your typical blockbuster sequel. Yes it’s bigger and better than the original movie. The stakes have been raised and new characters are added. But what makes Catching Fire unique is how it’s infused with a gravitas most major Hollywood entertainment lacks. At every single turn, the plight of the citizens of Panem is felt as they face the cruel tyranny of the Capitol, adding layers of pathos and tension to everything we see. Couple that with the impressive IMAX visuals and a more surprising story, and Catching Fire joins that rare breed of sequels that improve on the original. Read More »
At 23, Jennifer Lawrence has reached heights most of us never even dream of. She won the Oscar for Best Actress with her second nomination, for Silver Linings Playbook. She stars in a superhero franchise and toplines another of the biggest franchises in Hollywood, The Hunger Games. Without a doubt, she’s one of the biggest stars in the world, yet has somehow managed to remain genuine, funny and unfiltered. Jennifer Lawrence isn’t only America’s sweetheart, she’s everyone’s sweetheart.
So, in short, sites like /Film usually don’t get to speak to her, especially not for a film as highly anticipated as The Hunger Games: Catching Fire. But you ask nicely, expect to get turned down, and then somehow find yourself outside a hotel room, the only online outlet who’ll be speaking one on one, in person, with Hollywood’s darling. No pressure.
While I can’t gauge my performance, Lawrence did not disappoint. Even after two full days of non-stop press, Katniss Everdeen herself snuggled up on her hotel room chair, slippers and all, and spoke eloquently about the pathos in Catching Fire, its political messages, shooting with IMAX cameras, her duties as reigning Best Actress, how often she gets out to the movies, Short Term 12, “texting Fassbender” (yes, that one), why promoting X-Men movies can be better than Hunger Games and the insane Internet notion she could play a female Han Solo. Read the full interview below. Read More »
Cool Posts From Around the Web: