We all thought there was no way a trailer could top the last one director Zack Snyder provided us for Man of Steel. At three minutes, even its length was epic. And the action it showed was pure, ass-kicking Superman.
The latest trailer (number four, if you count the teasers as one) is shorter than the previous one but, somehow jam-packed with even more spectacle. That’s thanks in large part to the menacing threats of General Zod. He’s ready to reign hell on the Planet Earth if they don’t give up Kal-El, and this trailer proves he means serious business. City-destroying, genocide-starting, skull-crushing business. Read More »
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Microsoft is announcing the new Xbox, called Xbox One, right now, and is promoting the box as an all-in-one home entertainment solution. As part of the hardware announcement, the company has been touting new ways to interact with television, gaming, and other content. We’ve known that Xbox Live has been planning to move into some of the original TV space that Netflix has been doing, and now we know what the vehicle will be: a live-action Halo TV series, with involvement from Steven Spielberg. Read More »
Stardate December 10, 2012. A group of journalists are invited to Bad Robot in Santa Monica, CA to learn a little bit more about J.J. Abrams‘ Star Trek Into Darkness. At this time everyone was still unclear who, exactly, Benedict Cumberbatch was playing in the film. Rumors about his character were relentless. To cut the question off at the pass, Abrams himself led everyone into a screening room to show some footage. He explained this was footage no one would see again for several months, we shouldn’t tell anyone we saw it, but it would clear some things up.
With Star Trek Into Darkness now in theaters, it’s time to talk about that footage because what we saw and what’s now playing are very, very different. This change exemplifies not only the lengths Abrams went to preserve the theatrical film experience, but it opens up the discussion for exactly why secrecy was so important. Read More »
After much anticipation, Star Trek Into Darkness is finally out this weekend. Peter and Germain have weighed in with their mostly-positive takes, and you guys have also chimed in with your thoughts. I personally enjoyed watching the movie from beginning to end, and got a kick out of seeing these characters come to life once more, as played by the immensely talented cast. It’s a non-stop thrill-ride, a riveting experience that may leave you scratching your head at certain points, but never leaves you bored.
About those head-scratchers: yeah, this movie definitely made pretty bizarre decisions, several of which continued to nag at me days after I’d seen it, even though my overall memories of the film were ones of fondness. So, in the grand tradition, you’ll find some of my issues after the jump. As always, feel free to respond with your own and/or correct me in the comments.
MASSIVE SPOILERS FOR STAR TREK INTO DARKNESS FOLLOW.
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Sequels are a tricky thing. In the best cases, they transcend the original work by adding emotional depth and context, elevating the entire story arc. In the worst cases, they’re a carbon copy of the original with perhaps a bigger “wow” factor. Star Trek Into Darkness, like many sequels, falls into the middle ground. It expands and broadens the scope of the original while duplicating most of the elements that were already in place from the 2009 film.
To follow his first Trek revival, director J.J. Abrams has made a much more visually impressive and exciting action film, and one worthy of the Star Trek franchise. It simply lacks the inspiration that made his first film so special.
After the jump, read the rest of this review and see a video blog with some differing opinions. Read More »
When I first saw Stories We Tell I was stunned. When I saw it again, I knew that reaction was warranted. And when I talked to the film’s director, everything was further illuminated. That director is Sarah Polley, who is probably best known for roles in films like Go and Dawn of the Dead. Polley is undeniably great in those movies, but after seeing her third feature film Stories We Tell, there’s no doubt she’s an even better director.
Polley approaches Stories We Tell with brilliantly layered execution. On the surface, it’s a personal documentary about her family history, featuring accounts from her brothers, sisters, parents, and friends. The basic story follows how her mother and father met, and started a family. From there, Polley questions the construction of story and truth. She breaks down the structure, turning the camera on herself. Finally, Polley uses this pleasant, thought-provoking documentary to pose surprising questions regarding the essence of cinema. Stories We Tell is now playing in select cities nationwide, so you can finally see what I mean for yourself.
Which brings us to a warm May morning poolside at a Beverly Hills hotel. I was lucky enough to sit down with Polley to discuss her wonderful film and ask all the burning questions I had after seeing it. You can read the conversation below. Read More »
The concept of Pacific Rim seems like the simplest thing ever. Humans pilot giant robots to battle giant alien monsters. However, Warner Bros. is dead set on letting audiences know there’s much more to it than that. In the latest trailer for the Guillermo del Toro sci-fi action film, the focus is squarely on the history and mythology created for the film. (With plenty of new shots of massive destruction and fighting along the way.) Read More »
“All roads lead to this.” That’s the tagline for Fast and Furious 6 and it’s appropriate on several different levels. The film is the final series entry from director Justin Lin, who picked up a fledgling franchise and carried it into the blockbuster realm. It also marks the culmination of a story that began at the end of Tokyo Drift, when a cameo from Vin Diesel signaled the shift from a set of loosely connected films to a tightly intertwined set of stories and characters.
Finally, Fast and Furious 6 marks the total obliteration of any semblance of reality or logic in the franchise.
Speeding through a city with a huge safe in tow seemed crazy in Fast Five. In Fast and Furious 6 Lin expands the action to absurd proportions, creating set pieces and action beats that defy physics and coherence. Yet it all works to purring perfection. After five movies, all roads indeed lead to this madness. Read More »
