Posted on Friday, November 21st, 2014 by Angie Han
Christopher Nolan‘s Interstellar features a pretty powerful message about love, but it’s not all sweetness and light. It doesn’t shy away from the darker side of humanity, particularly in a third-act twist that puts our heroes in jeopardy.
In a new interview, Nolan discusses that divisive scene, laying out the logic and motivations that led to the big moment. We’re purposely being vague here because we’d hate to be the jerks who ruin the movie, so let’s just slap up a big fat spoiler warning and head to the jump where we can talk freely. Read More »
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The tagline for Christopher Nolan‘s Interstellar is “Mankind was born on Earth. It was never meant to die here.” In all the discussions about the film post release, that idea has kind of been left in the dust (pun intended). The environmental issues in the film have been overshadowed by the science of the space sequences, and the sound in the theater. Hoping to focus attention back on that aspect of the film, Nolan and his team are doing a project to celebrate the planet we live on.
Nolan and his actors are asking fans, filmmakers and everyone in between to participate in a time capsule project. An Interstellar documentary, if you will, that will result in a film that showcases “memorable and inspiring moments of today to give future generations a way to remember where they came from.” David Brodie and Angus Wall are producing the film with Nolan curating the entries.
Below, watch a video pitch from the cast of Interstellar and read more information about the project. Read More »
We’ve been talking about Dean Israelite‘s Project Almanac for what seems like forever. Jumping back in time, the idea first got picked up by Michael Bay‘s Platinum Dunes in 2012. Cameras then started rolling Summer 2013 aimed at a February 2014 release date. In that time, the title changed to Welcome to Yesterday. However the distributor, Paramount, decided to hold the film back once that date got close. It was retitled Project Almanac and it had a pretty successful, buzzy screening at Comic-Con.
Which brings us to the present. A second first trailer for Project Almanac has been released with the film set to hit theaters January 30. In it you’ll see what a group of teenagers might do if they found out how to time travel in their garage. Watch the Project Almanac Trailer below. Read More »
Major Spoilers For Interstellar
The finale of Interstellar has been quite a point of contention among film fans. Some intrinsically understand and decipher what Matthew McConaughey‘s character, Coop, experiences. Others are just totally in the dark and can’t grasp what’s happening once he goes into the black hole. And a very few actually know exactly what’s going on. No matter what, it would be nice to understand exactly what is happening once Coop begins floating around at the end of the film.
Enter Neil deGrasse Tyson, who has already had lots of interesting things to say about Christopher Nolan‘s film. In a new video, he explains how the five dimensions needed to understand the ending of Interstellar work in very plain, simple English. Watch the Interstellar ending explained by Neil deGrasse Tyson below. Read More »
From the first screenings of Christopher Nolan‘s Interstellar, you could hear the controversy coming. Audiences in different cities complained about the sound in the film. Nolan’s mix, or something in the presentation, resulted in several lines of dialogue – seemingly important lines – being blown out by sound effects and music. Was this an artistic choice by Nolan? Or was it the fault of individual theaters?
/Film reported on the sound issues, and as the story spread over days, no one would comment. Not Nolan’s camp, not Paramount Pictures and not IMAX. The only update was from one theater in upstate New York, which blamed Nolan for the sound. Now, finally, Nolan has responded to the controversy. Does he accept blame? Does he even think there’s a problem? Read Nolan’s quotes about the Interstellar sound problems below. Read More »
Posted on Tuesday, November 11th, 2014 by Angie Han
There’s no question that Christopher Nolan‘s Interstellar is fictional, but how fictional is it? That’s been one of the points of debate surrounding the sci-fi epic, with people like astrophysicist Neil deGrasse Tyson weighing on the plausibility of its science.
For his part, though, Nolan himself doesn’t seem at all bothered by the criticism. He says he’s “fine” with his films being held to “a weirdly high standard,” and points out the obvious fact that “much of it is speculation.” Hit the jump to Nolan’s comments on the science of Interstellar.
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You can now see Christopher Nolan‘s Interstellar in theaters, but the movie was originally developed by Nolan’s brother Jonathan Nolan for director Steven Spielberg. In fact, I first reported on the project almost eight and a half years ago. As the story goes, Spielberg got the idea for the film after attending a Caltech workshop. There, physicist Kip S. Thorne, an expert on relativity known for his prolific contributions to the fields of gravitation physics and astrophysics, presented his controversial theories about wormholes. Jonathan Nolan was hired to develop the screenplay for Spielberg, which he originally hoped to direct after Lincoln. Of course, that didn’t happen. Christopher Nolan explained how he got involved during a press conference I attended in Beverly Hills:
[I] was talking to Jonah [Nolan] about the script he was working on with Steven Spielberg at the time. We’d bounce ideas off each other and it sounded incredibly exciting … I had the advantage of coming onto the project late and being able to look at what these guys [Jonah Nolan and Kip Thorne] had done. A lot of my contribution was ripping things out, because they put in more of these incredible mind blowing ideas that, I felt, I could absorb as an audience member. So I spent my time and my work on the script choosing the more emotive and tactile of these ideas to grab ahold of. … [Jonah] got very busy doing other things so I said, ‘Hey can I take this and combine it with some other ideas I’ve been working on’ — it was a bit more like him going ‘okay, take a shot, we’ll see what you do.’ So I showed him what I had done and he seemed reasonably happy with it.
The reason Christopher Nolan shares the screenwriting credit on the final film with Jonathan Nolan is because he reworked the original script with substantial changes. This left me wondering about the evolution of the project, and how different Steven Spielberg’s version of the film might have looked. Of course, we’ll never see Spielberg’s version but Jonathan Nolan’s 2008 draft of the screenplay has been floating around the tracking boards for some time. Investigating that draft gives us an opportunity to see how the story changed from when Jonathan Nolan was working on it under Spielberg to Christopher Nolan’s final film.
What are the biggest differences and changes? Find out the 15 biggest Interstellar script differences, after the jump.
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Posted on Friday, November 7th, 2014 by Angie Han
There’s a moment in Inception when one character encourages another to “dream a little bigger, darling.” Well, it certainly looks like Nolan took that advice to heart with Interstellar. Nolan’s first post-Batman movie is stunningly ambitious, even by his usual bold standards.
Matthew McConaughey leads the sci-fi epic as an astronaut who travels deep into space in a last-ditch effort to save the human race. That includes his beloved kids Murph and Tom, whom he has to leave behind on their dying farm. Anne Hathaway, Wes Bentley, and David Gyasi play the other astronauts on the journey with him. Michael Caine is the NASA guy leading the charge down on Earth.
Interstellar is a mind-bender of a journey that makes most of Nolan’s other films look tame in comparison. He clearly has big things to say about the importance of science, the experience of parenthood, the nature of humanity and the value of love. That last bit turns out to be especially unusual, since Nolan tends to be a cerebral, even chilly director. Emotions are not thought to be his strong suit, at least on film.
So there’s no question Nolan is aiming high. But does he hit his mark? This is your space to discuss all that and more. Spoilers are not just tolerated but actively encouraged.
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