the disaster artist trailer

I remain curious to see if regular audiences will flock to see a movie about the making of a film so bad it has earned a strong cult following over the years. But I can tell you this much: The Disaster Artist is hysterical and weirdly moving and not the movie you think it is. James Franco‘s heartfelt and deranged comedy about bromance, jealousy, and seriously ill-considered filmmaking decisions is one of the most entertaining movies I’ve seen in 2017.

And now, the first The Disaster Artist trailer is here to sell this movie to everyone else.

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A Ghost Story Ending Explained

This past weekend, A Ghost Story joined the specialty box office line-up by hitting theaters in New York in Los Angeles before the Sundance selected drama from Ain’t Them Bodies Saints and Pete’s Dragon director David Lowery expands in the coming weeks. Having caught the film at Sundance, I can say you haven’t seen a movie quite like this before. However, the title might be a little misleading for those expecting a ghost story that’s more horror than thoughtful drama. Furthermore, the ending may leave many perplexed as the scope of the narrative expands and becomes something bigger than you’d expect.

Thankfully, director David Lowery was asked about the ending to A Ghost Story, and he was happy to provide a little more explanation for those who might be confused when the credits start to roll. If you haven’t see A Ghost Story yet, don’t read any further because there are spoilers abound, and you really should wait for clarification until after you’ve seen it for yourself, even if that doesn’t happen until it’s available on home video. Read More »

Barry Jenkins Next Movie

As you might expect from the creator of this year’s Oscar winner for Best Picture, Moonlight director Barry Jenkins has been keeping busy. He hopped over into the TV world to direct the fifth episode of Justin Simien‘s excellent Netflix series Dear White People, and Jenkins is staying in that medium to write and direct a small screen adaptation of Colson Whitehead‘s best-selling novel The Underground Railroad for Amazon.

But fear not, movie lovers, because Jenkins won’t be in the TV realm for long. He’s just set up his next movie: an adaptation of James Baldwin‘s acclaimed book If Beale Street Could Talk.
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it comes at night spoiler review

Trey Edward Shults’ It Comes At Night opens today and while it’s not the movie being sold in the trailers, it’s an exceptional piece of work. Tense and unsettling and bleaker than bleak, it’s going to rattle nerves of audiences everywhere this weekend. And everyone who sees it is probably going to have a lot to talk about.

Alex Riviello and Jacob Hall certainly did. Unable to get the film out of their minds, the two of them sat down to talk about the movie in spoiler-filled detail.

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It Comes at Night misleading trailer

(Welcome to The Soapbox, the space where we get loud, feisty, and opinionated about something that makes us very happy…or fills us with indescribable rage. In this edition: the excellent marketing for It Comes at Night is doing the movie a disservice.)

The trailers for It Comes at Night have been magnificent and the folks at A24 (or whoever they employed to edit them) should be commended. Each preview has evoked a menace and a terror rarely found in horror movie marketing. I have watched as that trailer made entire audiences grow tense. I have felt my wife, a huge horror fan, nudge me in the side, her non-verbal way of saying “take me to see that, please.”

Removed from the trailers, It Comes at Night is an excellent movie and writer/director Trey Edward Shults, his cast, and his crew should also be commended. In a summer filled with bombastic blockbusters, it’s a disturbing, patient, and upsetting experience that crawls under your skin and festers. It’s the kind of movie that will find an audience – people who will want to talk about it for some time to come.

But here’s the thing: It Comes at Night, while certainly worth your time and money, is not the movie A24 is selling. At all. In any way. And that’s not going to sit well with some audiences.

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it comes at night trailer

It Comes at Night opens this week and it brings a blast of unsettling, arthouse horror into the stifling summer movie season. Well, “blast” may not be the right word – this is a patient, uneasy, and downright creepy movie that deliberately avoids offering instant satisfaction or clear answers. This approach only makes the film more upsetting.

And writer/director Trey Edward Shults wouldn’t have it any other way. Like his previous film, the micro-budgeted drama Krisha, Shults has made a very personal film here, albeit one set in the post-apocalypse that follows two families sharing one roof in the woods while a virus destroys civilization elsewhere. Speaking with Shults, he was open about his influences (everyone from Stanley Kubrick to John Cassavetes), writing a horror movie as therapy, and plunging the audience into a nightmare.

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it comes at night trailer

I was able to see director Trey Edward ShultsIt Comes At Night a few weeks ago and I agree with our own Alex Riviello, who reviewed it from the world premiere at the Overlook Film Festival: it’s a really good movie. It is also not the movie being presented in this new preview, which could be a problem for some audiences.

So watch the new It Comes at Night trailer below, but understand that the movie arriving in theaters next week isn’t the movie being advertised.

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How to Talk to Girls at Parties

Neil Gaiman‘s comic book How to Talk to Girl at Parties is a fun read. It’s also a very short read. If adapted faithfully, it’d probably be a great short film. The director behind Rabbit Hole and Hedwig and the Angry Inch, John Cameron Mitchell, had the freedom of adapting the story into a narrative feature film. He got to take the kernel of a story where he wanted to, and where he went with it looks like a blast.

Below, watch the How to Talk to Girls at Parties teasers.

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Good Time trailer

Over the last five years, Robert Pattinson has been doing some great projects. From his work with filmmakers like David Cronenberg, David Michôd (The Rover), and Anton Corbijn (Life) to his most his recent film, The Lost City City of Z, Pattinson has been delivering quality performances in some high-quality movies. He has continued to show more and more range lately. Hopefully, we’ll say the same of his work in Josh and Benny Safdie‘s Good Time, which debuts this month at the Cannes Film Festival.

Below, watch the Good Time trailer.

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the disaster artist release date

James Franco‘s The Disaster Artist has gone from New Line to A24. While New Line still holds the international rights, the distributor behind last year’s Best Picture winner, Moonlight, will handle the domestic release of Franco’s look at the making of Tommy Wiseau‘s The Room. A24 has set a December release date for the film.

Below, find out more about the Disaster Artist release date.

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