On July 21st 2014, I was lucky to visit the New Orleans set of Jurassic World. (You can read a list of over 50 things I learned on the Jurassic World set here.) While on set, we got the chance to have an extensive sit-down interview with Jurassic World director Colin Trevorrow, which was conducted during the crew lunch break on a recreation of the famous visitors center from Jurassic Park. (A location which, in the film’s story, is now abandoned.) Producer Frank Marshall joined us late in the conversation.
Our conversation spanned a variety of topics, including the use of performance capture to create the dinosaurs in the new film, the idea of Weird Al having a song in the new film, bringing an independent style to the shoot, and the evolution of the Jurassic Park 4 script over the last ten years. We went into the reasons for the infamous production delay, input from Steven Spielberg, and what to expect from the new dino species.
There were fun details, too, like how a conversation with his son about Star Wars resulted in major change to the script, allegories to Black Fish and Sea World, the dinosaur stand-ins on set, and how Brad Bird not directing Star Wars resulted in Steven Spielberg finding Colin.
As I said before, the interview is extensive and so you’ll want to carve out some time to read this. Trust me, its good.
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Note from Editor Peter Sciretta: I’ve gotten a ton of e-mails, tweets and comments over the last month asking me what happened to Page 2. When I first started the column in February 2007, I never anticipated it would grow into what it would become. The first edition didn’t even feature images, it was just a one-page round up of links and commentary. Over the years Page 2 grew to become a massive multi-page linkblog which included cool collectibles, art, links to good features elsewhere, news that just didn’t make it to the front page, viral videos and short films. Page 2 quickly became a popular weekly feature on the site, and because of the popularity it has been running as a daily feature on the site for the past few years. In fact, this is the 1,063 edition of Page 2, which is even hard for me to believe.
While /Film has evolved to become the voice of a handful of writers, Page 2 has always been a personal effort. The feature encompasses more hours of my day than I’m willing to admit. So why did it disappear? I don’t want to get too personal, but I’ve always been pretty honest with you guys. My life has become complicated in the past few months as my half-decade-long relationship came to an abrupt end, and as you might expect, that has greatly changed my life, and yes, my work. I took some time off from Page 2 to work on myself, and find some balance. I’m glad to report I’m in a much happier place now and it seems like a good time to pick up the ball again.
Over the next week I want to reexamine what Page 2 is and can be. I’d love your feedback in the comments and on twitter:
- what are your favorite parts of Page 2?
- What do you want more of?
- What do you hate?
- What do you not care about?
- What could be here that hasn’t been?
- Do you like the short to the point snippets or would you want more personal commentary?
- Because of the bandwidth and time it takes to create, we need to keep Page 2 as a multipage feature — but how many pages would you like it to be?
- Would you mind if Page 2 became a less than daily feature so we could focus on better content?
Please let me know in the comments below, through email or on twitter. After the jump you can find the first new Page 2 in some time. Thanks for reading!
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Jurassic World has a few direct callbacks to Steven Spielberg‘s original Jurassic Park. There’s the shell of the old visitor center, for one, with that famous banner still on the floor. And the original design for one of the first film’s signature attractions was used to bring her back to life for this fourth movie.
That’s right: the T. rex is back, and it’s not just a Tyrannosaurus, but the Tyrannosaurus that menaced Ian Malcolm and everyone else in the original movie. She’s older, maybe a little slower, but her nature hasn’t changed. “This movie is her Unforgiven,” said director Colin Trevorrow when we talked to him on set. Read his comments about the returning beast, as well as info about the new Jurassic World performance capture dinos, after the break. Read More »
In July 2014, I had the pleasure of visiting the set of Jurassic World. After the jump you will find a roundup of over 50 things I learned on the Jurassic World set visit, ranging from cool bits of trivia (for instance: a neat suggestion Steven Spielberg made to vastly improve an idea Colin Trevorrow pitched) to interesting information about the theme park world of the film. This is probably one of the coolest sets I’ve ever visited. We will be featuring interviews from the set elsewhere on the site, so look out for those as well.
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Many people have wondered how Colin Trevorrow ended up directing Jurassic World. I loved his indie dramedy Safety Not Guaranteed when I saw it at the 2012 Sundance Film Festival (you can read my Sundance review here) but even I didn’t expect that film to launch his career as the director of a mega sequel/reboot the size of Jurassic World.
So how did that happen? The answer might surprise you — Colin Trevorrow got the job after a chain reaction that began with director Brad Bird turning down Star Wars: The Force Awakens. Read the whole Jurassic World Star Wars connection story after the jump.
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While in Las Vegas for CinemaCon 2015 last week, I got the opportunity to sit down with Chris Columbus, a screenwriter and director who had a dramatic effect on the cinema of my childhood, and yours. Lets do a list: Gremlins, Goonies, Young Sherlock Holmes, Adventures in Babysitting, Home Alone, Mrs. Doubtfire, Stepmom, and the first installments of the Harry Potter franchise. His latest film Pixels seems to be a return to the roots of his earlier days, and I’m personally excited to see it.
In my interview with Chris Columbus (who turns out to be a daily /Film reader) I ask him if he will ever return to writing original screenplays again like he did with Gremlins and Goonies. He explains how he got involved with Pixels, initially having not seen the viral short film which inspired the movie. He talks a bit about how the licensed video game characters became involved with the project and also talks about Pac Man creator Toru Iwatani‘s appearance in the film, not as himself (as seen in the trailer) but in a cameo role.
We learn whether or not there was any pressure to differentiate the movie from Ghostbusters, and Columbus talks about a return to the Amblin era of films, whether he’d ever direct one of John Hughes‘ unproduced screenplays, and he even gives us an update on the Gremlins reboot. Hit the jump to read my full Chris Columbus interview from CinemaCon 2015 in Las Vegas.
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DC Comics has announced that Frank Miller will write a third Batman series to complete what will now be a trilogy begun with The Dark Knight Returns. The Dark Knight: The Master Race is planned as an “epic conclusion of the celebrated THE DARK KNIGHT RETURNS saga.”
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I just got home from Las Vegas, where for the last week I had attended the CinemaCon convention (formerly ShoWest), the largest gathering of movie theatre exhibitors each year.
Thursday afternoon we saw a presentation from Universal Pictures showcasing some of their big upcoming films including Jurassic World, Everest, Crimson Peak and The Secret Life of Pets and more. In previous years Universal has come to CinemaCon with a ton of footage from their line-up up to a year and a half in advance, this year’s presentation in comparison was disappointing. After the presentation I recorded a spoiler free Universal Pictures CinemaCon reaction video reaction with Steve from Collider, which you can watch that now embedded after the jump.
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I just got home from Las Vegas, where for the last week I had attended the CinemaCon convention (formerly ShoWest), the largest gathering of movie theatre exhibitors each year. The convention is packed with talks about subjects such as how to maximize profits, and features a show floor filled with the newest and best concessions equipment. More notably, most of the major movie studios hold presentations of upcoming film line-ups for the next year and beyond. Companies even show some of their films early to get some excitement from those booking the screens.
Thursday morning we saw a presentation from 20th Century Fox showcasing some of their big upcoming films including Peanuts, Poltergeist, Paper Towns, Hitman: Agent 47, Victor Frankenstein, Maze Runner: The Scorch Trials, Fantastic 4, The Martian, Alejandro González Iñárritu’s The Revenant and David O Russell’s Joy and more. After the presentation I recorded a spoiler free 20th Century Fox CinemaCon 2015 reaction video reaction with Steve from Collider, which you can watch that now embedded after the jump.
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