In Rodrigo Garcia‘s beautiful and lush film Last Days in the Desert, the journey is uncertain for a while. We follow Jesus, played by Ewan McGregor, as he enters the desert on a journey for truth. “Father, speak to me,” he says. As he walks and thinks, he begins to see visions of Satan, also played by McGregor. He meets a family out in the desert, and the audience may initially wonder what those people are doing out there. But eventually it clicks. We realize the point, just as Jesus probably realizes the point in the narrative, and the film blossoms into something beautiful but not entirely fulfilling. Read more of our Last Days in the Desert review below. Read More »
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Joss Whedon is currently working very hard on giving audiences a worthy follow-up to one of the biggest films of all time, The Avengers. Avengers: Age of Ultron is a few short months away and the new issue of Empire Magazine had a bunch of new images about that film. They also asked Whedon about his future in the Marvel Universe, specifically whether or not he’ll be back for Avengers: Infinity War Parts 1 and 2. We’d heard that the Russo Brothers would be helming those films after Captain America: Civil War so Whedon’s quote probably won’t surprise you, but you can read it and see the new images below. Read More »
When you think Lucasfilm, you probably think of two things: Star Wars and Indiana Jones. Both creations of filmmaker George Lucas, those two franchises put Lucasfilm on the map and made the company what is today: an entity that cost Disney $4 billion. But Lucasfilm isn’t only Star Wars and Indiana Jones. Proof of that hit theaters this past weekend as they released Strange Magic, an animated fairy tale Lucas himself conceived and produced.
That got us thinking, what else has Lucasfilm done? What are they without their two big superstars? The answer is “a lot” and “something pretty special.” Below, read our ranking of the 10 best Lucasfilm movies, minus Star Wars and Indiana Jones. Read More »
On paper, Me and Earl and the Dying Girl doesn’t seem particularly exciting. An adaptation of a book by Jesse Andrews, it’s the story of a high school senior who is forced to become friends with a school acquaintance who is diagnosed with leukemia.
Interesting, yes but not that exciting. Thankfully, Me and Earl and the Dying Girl isn’t merely on paper. It’s a film — in fact, a film that loves film, celebrates film, and is very much about the medium – with beautiful shot composition, tense long takes and elaborate tracking shots. It tells a touching and incredibly funny story with very realistic, honest characters and enough self-awareness to make it all feel modern. Directed by Alfonso Gomez-Rejon and adapted by Andrews, Me and Earl and the Dying Girl had its world premiere at the 2015 Sundance Film Festival this weekend. Read our Me and Earl and the Dying Girl review here. Read More »
The passing of Robin Williams removed any chance of Mrs. Doubtfire 2 ever happening, but it turns out the character will endure regardless. In a new interview, composer Alan Menken revealed he’s working on a Mrs. Doubtfire musical for the stage. Read more below. Read More »
Tom Hanks had Philadelpha, Jim Carrey had The Truman Show and now Jason Segel has The End of the Tour. It’s a powerhouse movie announcing to the world that this comedic actor is a dramatic force too. But that’s just one of the many, many good things that can be said about director James Ponsoldt’s fourth feature film. Below, continue our End of the Tour review.
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Noah Baumbach’s movies have never been easy to describe. Each one blends so many different tones, sensibilities and genres that simply describing his movies as one thing doesn’t work. Calling The Squid and the Whale a family drama doesn’t seem right. Frances Ha isn’t just a coming of age story and Greenberg isn’t just a movie about self-discovery.
That lack of easy categorization is probably the only thing Baumbach’s latest film, Mistress America, shares with the director’s other films. Well, that and his co-writer and star Greta Gerwig. Mistress America is by far Baumbach’s funniest film, anchored by a completely new sort of performance from Gerwig, and blessed with a script so smart and sharp, many of the film’s jokes don’t land for a few seconds because A) you’ve never heard anyone say anything like that and B) it’s just so damn intelligent.
Mistress America had its world premiere at the 2015 Sundance Film Festival and you can read the rest of our Mistress America review below. Read More »
When Eli Roth directs a movie, there’s a certain expectation from the film. Gore, disturbing imagery and sheer terror are associated with the director of Cabin Fever and Hostel. Roth knows that as well as anyone. With his latest film Knock Knock, he uses those expectations to his advantage to toy with the audience. The film slowly builds, but situations don’t get violent. You might question what the hell you’re watching. What is the point here? That might be frustrating in the hands of another filmmaker, but not from Roth. For almost half of Knock Knock, the film presents fresh, difficult and exceedingly awkward situations for the characters. And because you have no idea what’s going to happen, that’s scary and thrilling in its own unique way.
Knock Knock, which stars Keanu Reeves as a happy husband randomly thrust into an uncomfortable situation with two young girls, premiered this weekend at the 2015 Sundance Film Festival. Continue reading our Knock Knock review. Read More »
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