koeppbike

David Koepp is best known as one of Hollywood’s highest paid screenwriters (and one of Spielberg’s scribes). His screenwriting credits include everything from Toy Soldiers, Jurassic Park, and Carlito’s Way, to Panic Room, Spider-Man, War of the Worlds and Indiana Jones and the Kingdom of the Crystal Skull.

For the last decade he’s been trying to make the transition into feature film directing. He made his debut with the promising Stir of Echoes, but has since followed up with some lackluster efforts, the 2004 Stephen King adaptation Secret Window and the 2008 Ricky Gervais supernatural romantic comedy Ghost Town. Honestly, I think Koepp is a much better screenwriter than he is a filmmaker, and that’s not saying much considering the abundance of lackluster screenplays he’s been involved with in the last 10-12 years. With that kind of intro, you must be really interested in his next directorial effort (yes, that was sarcasm).

Next up, Koepp will direct a film called Premium Rush, penned by his frequent screenwriting collaborator John Kamps. Aside from working with Koepp on Ghost Town and Zathura, he also wrote Mighty Morphin Power Rangers: The Movie. Yup, no snarky commentary needed.

According to Variety, the story follows a 20-something-year-old bike messenger who somehow gets involved in a chase across New York City. And we’re not just talking about a little chase but big budget William Friedkin-style action sequences. Apparently a dirty cop is “desperate to get his hands” on an envelope the messenger received from Columbia University (the Macguffin?).

As much as I’m not a fan of Koepp’s filmmaking choices thus far, I’m always game for another chase movie, especially a film with a budget. Columbia Pictures is apparently fast tracking the project, and casting will begin searching for a leading man immediately. So I’m sure we’ll be hearing a casting and start announcement by year’s end.

bike messenger image via 72ppi

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  • GregoryV
    Why not bring this film to San Francisco?
  • Does anyone remember that Disney-produced documentary from a few years ago? I think it was called "America's Heartland," or something to that effect. Not the best film, but the segment dealing with the bike messengers they profiled was really interesting, and awesomely shot. I would kind of rather get a feature version of that, not a cheesy thriller.
  • Rick_Dickulous
    Personally I enjoyed Secret Window and Ghost Town a lot more than the last two Spielberg pictures he wrote.

    The premise to this sounds like it could be really cool.
  • I just had a flashback of Kevin Bacon and Whitney Kershaw on that sweet bicycle dance scene from Quicksilver. Now I wanna re-watch the movie.
  • MickJ
    Man, looking at those screenwriting credits, some hits but some serious whiffs too.
  • MT
    I for one really enjoyed Ghost Town. Very underrated. Charming, fun, a lot of heart.
  • Jacob
    there is a documentary called Pedal, about NYC bike messengers, it hard to get a hold of, i don't think netflix has it, but it is pretty good watch and is really interesting. it makes me want to more.
  • According to IMDB he has directed 5 films, a direct to video release and TV movie. If he hasn't clicked yet I highly doubt he ever will. In fact he hasn't even written anything all that good in a while. I suspect he just got into good films where others make him look good. His successes all seem to come with well known and quality directors like Speilberg, Raimi, Fincher and to a lesser extent De Palma.
  • jethrostoltz
    Not that anyone will care, but Koepp actually made his directorial debut in '96 with the Rod Serling rip-job The Trigger Effect. Also, didn't the 1986 Kevin Bacon film Quicksilver take the bike messenger thriller genre as far as it could go?
  • plagueoftruth
    "The Trigger Effect" is a wonderful and highly underrated film. I wouldn't call it a "rip-job" as much as an homage. The street on which the main characters live is even called Maple St. in a direct acknowledgment to "The Monsters are Due on Maple Street."

    I suppose we could call "O Brother Where Art Thou" a rip-job of "The Odyssey" or "West Side Story" a rip-job of "Romeo and Juliet" but those seem to get more respect.

    Either way, thanks for correcting the mistake.
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