Sin Nombre Director Cary Fukunaga to Adapt Jane Eyre

fukunaga_jane_eyre

This is a bit unexpected; there have been a lot of possible next projects in the works for Sin Nombre director Cary Fukunaga. None of them were a new adaptation of Charlotte Brontë’s novel Jane Eyre. But the deal to put Fukunaga in the director’s chair for a new film version of the oft-adapted novel is reportedly close to finished. And thinking about the idea further, I’ve realized that it actually may be quite a good fit for the promising new filmmaker.

Variety reports that Fukunaga is in advanced talks to direct the film for UK outfit Ruby Films. The script is by Moira Buffini, seemingly the most popular young playwright in England. Her script appeared on the 2008 Brit List, that roster of well-regarded unproduced screenplays in Britain. (Similar to the Black List in Hollywood.) There was news about this project back in 2008 when Ellen Page was on board to star as the title character, but she’s not been part of the current goings-on.

I haven’t had a chance to read Buffini’s take on the story, but the trade says that it highlights “the gothic elements of the classic 19th century story about a governess who falls in love with her surly employer who has a dark secret.” Superficially, that might pit this take squarely against the ‘44 version scripted by  by John Houseman and Aldous Huxley and starring Joan Fontaine, Margaret O’Brien and Orson Welles (who reportedly ghost-directed much of the film).

But the social commentary that is crucial to the novel is something I can see Fukunaga nailing, and he’s also got the affinity for questions about class and ability to quickly sketch strong characters. Sin Nombre was a story heavy with atmosphere and a certain feeling that leapt between the characters without being voiced. That suggests that the heavy gothic atmosphere (not to be confused with a heavy goth atmosphere — don’t get this wrong) isn’t something that will daunt the director.

And what about those other films we’ve heard about as possible projects? There was talk of a sci-fi film involving time travel (please, let the future version of me be able to program a modern time-travel fest with films by Rian Johnson, Shane Carruth and Fukunaga!) and a “kind of fantastical folk story” musical with song collaboration by Owen Pallet of Final Fantasy and the Arcade Fire and Zach Condon of Beirut. Hopefully those are still on the docket somewhere. Fukunaga signed a first-look deal with Focus, so perhaps the studio will bite on one of those.

If you haven’t seen Sin Nombre you can get the DVD now, and watch the Levi’s ad below for a taste of Fukunaga’s style.

  • Sounds like we could simply dub this a remake of the '44 release as apposed to a new adaptation -- although I don't think that's a bad thing. The 'gothic elements' could resonate with audiences today in a big way of handled right.
  • Joolz
    The thing about it is......Rochester's secret is that he kept a creole woman from the Carribean who he married to enhance his business with the plantation owners there......locked her in an attic because she went mad.....so many issues of colonialism, race, ethnicity, class to deal with there.....things that Jean Rhys touched upon in Wide Sargasso Sea
  • The problem with guessing what would fit his style is that we don't really know the full extent of what he can do. Therefore we need a couple films with a wide base of talents to get a better grasp on him to see if he is more than a one hit wonder.
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  • A perfect match for each other. It's a tragic, sad, love story and SIN NOMBRE was a very sad movie, too. Fukunaga will do a good job with JANE EYRE, no doubt.
  • jonathanh
    I enjoyed the heck out of Sin Nombre. I think Fukunaga is extremely talented and will see anything this guy directs until he proves otherwise.
  • This is some cool and great adaptation film from Cary Fukunaga. Something that's bothersome but a very versatile film.
  • dangermom
    Fantastic! I hope the deal goes through and he becomes just as immersed in all the elements of the story as he did in Sin Nombre.
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