Spidey Gearing Up to Fight… Swiss Miss?

spider-men

The NY Post’s Michael Riedel was a naughty wee boy and went sneaking into the sales launch of Julie Taymor’s new Broadway production Spider-Man: Turn Off the Dark, wherein no press were officially permitted. A slap on the wrist and a kiss on the cheek.

Riedel’s report contains not only a glimpse at official artwork (see above) and some details of the special effects and set designs but also a list of the baddies due to appear - one of whom is a newbie, freshly created for the show.

The veteran villains listed are Green Goblin, Carnage, Electro, Rhino, Swarm and Lizard - every one of them a chap, I believe. Not the new creation, however. Swiss Miss is to provide a welcome dose of femininity to the web slinger’s rogues gallery. Her costume apparently consists of “rotating knives and swirling corkscrews” and was designed by Eiko Ishioka, costumier for Tarsem’s The Cell and The Fall, and Copolla’s Dracula.

Five of Bono and The Edge’s songs were performed at the presentation, one of which was favorably compared to the numbers in Rent. Frighteningly, this raises the question: what about the other four? Amongst the performers was Reeve Carney who is currently considered front runner for the role of Peter Parker. Don’t expect a full-on musical, however. Taymor has been downplaying the idea somewhat, promising that Spidey “is not going to sing and dance in tights,” suggesting that the term “musical” isn’t quite right and calling the show a “circus rock-’n'-roll drama.”

Carney is playing Ferdinand in Taymor’s upcoming film of The Tempest and is hotly tipped to “make it” in this business we call show. I personally fancy Jim Sturgess for Peter Parker but somehow he seems to be out of the running, off making movies, and, then at least, Carney looks to be a great back-up. There he is at the top, guitar in hand. Like the look of him?

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  • kt339
    Am I the only one who's actually really curious what Julie Taymor is gonna do with it? I mean, yes a Spiderman musical is a pretty far fetched concept, but Julie Taymor is pretty amazing. Lion King on broadway is one of the most creative and visually stunning examples of stage craft i've ever seen. Both Frida and Titus were spectacular, and while Across the Universe had storytelling problems, visually it was awesome too. If it were anyone but Julie Taymor directing I would say it's a terrible idea, but I personally think she's great.
  • freemachine
    You are spot on. (Screen)writers with original ideas must be so pissed off, because I'm sure there are a lot of great untold stories out there.
  • jrice73
    Swiss Miss? Okay... right.... This show is probably going to be like Spiderman 3: unintentionally hilarious. But that's okay, it will make a shitload of money. It's just I won't be spending a hundred dollars or more on a ticket, considering that's what theatre tickets tend to go for these days. I could buy a shitload of comics or trade paperbacks for that kind of money and I'll probably do that since I don't own many Spidey comics.
  • Franchises: Coming Soon to a Playhouse Near You.

    Max Fischer was ahead of his time.
  • Whatev
    Having Spidey turn into a musical is one thing I'd never want to see happen for the character, and yet this sounds like one of the only musicals I would be interested in seeing. Does that make sense? Anyway, it's reassuring they aren't going to have Spider-Man singing in costume.

    I wonder how they'll prevent it from turning into straight up camp however.
  • hoth base
    did you reply to yourself?
  • "A slap on the wrist and a kiss on the cheek." LOL. See Brendon, this is why we love you.
  • Truly original musicals really aren't that common.

    Now how epic could a film of Les Miz be?
  • Oscar
    Give Bono and the Edge some faith on the music. They did write Goldeneye when they heard Tina Turner was going to do the song for the movie and sent her the demo unsolicited. The Edge also did the cool opening music for The Batman.
  • How am I supposed to take this show seriously when they create a new villain named after a CHOCOLATE DRINK MIX.
  • John
    I have to admit I'm curious to see how they'll do all this live action special effects. Could be cool. This new villain they created with rotating knives has my interest too. If this does well though, you just know we'll be getting a Dark Knight Musical. LOL
  • The Shrek musical has been on Broadway for months now, and surprisingly, the music is not half-bad. Just as god and at some points better than what's up right now.
    Broadway has become a tourist trap, where only the big name properties will sell tickets. The ones that (usually) have runs that last years are musicals that people from Kentucky see on a sign in times square and automatically say "Hey! I know that! Let's see it!" While the occasional "phenomenon" musical will happen (i.e - Wicked, Phantom and up until a few months ago, Rent...two of which have had movies made out of them.) The great white way is being bogged down with big names to sell seats.

    Most original musicals, or plays, or revivals will have an run lasting from a few days, to a few months, to maybe a year. And it's sad.

    We are only going to see more and more movie-musicals because they put people in seats (well, so the production teams hope. the "High Fidelity" musical only lasted 3 days before it closed,) and "circus rock-n-roll drama" is just a tagline to put on the marquee. It's a musical.
  • Palmer
    While I'm not big on this musical. I wonder why they just didn't use Black Cat. She's not a villain...but she's not a hero, depending on how you look at things.
  • Presto117
    the shrek musical's already out, and i heard it was pretty good. i saw some of the songs on youtube and they were pretty funny. and while they're adaptions, it's not like everything's laid out for them like a hollywood adaption. they do, y'know, have to write music for the thing. Hairspray was based off the 60's movie and it was amazing. Legally Blonde the musical (while i didn't like the film. at all) was a hilarious show with some pretty good music. Les Miserables' based on a book. Spring Awakening's based on a german play from the 1890's. Wicked's based on a book. It doesn't matter if it's an adaption or something new, it's still a musical adaption of something that didn't have music before, so as long as it's still a good show, it's still gonna be good regardless. Morons.
  • notjon
    The movie Hairspray was not made in the 60s, it was set there. If that's what you meant, fine. But, if not, your mistake was almost as bad as the guy you're correcting.
  • How come they can't make cool things into a musical like BJ and the Bear.
  • geez, let's see what else? I heard a rumored Fight Club musical. There's going to be a Shrek musical as well. There are so many musicals based on movies or TV shows, complete knock-offs. Not much different from pathetic Hollywood remaking everything cos they can't think of anything original. Morons.
  • Yes BUT, comedic musicals are as fresh as ever, fresher even. What with Spamalot, Urinetown and The Producers. All of which won awards, and all of which were just good musicals. And despite catching some flack, Young Frankenstein had a few quite decent songs.
  • Yes BUT, comedic musicals are as fresh as ever, fresher even. What with Spamalot, Urine Town and The Producers. All of which won awards, and all of which were just good musicals. And despite catching some flack, Young Frankenstein had a few quite decent songs.
  • In tough times you sell what you know will be wanted. Plus, brand name musicals bring people to Broadway and when they are there maybe they will see something else.
  • a Spiderman musical... what a fucking, pathetic joke Broadway has turned into.
  • I'm surprised you're not going on and on about the new female villain created specifically for this musical.
  • I'm surprised you're not going on about the new female villain created specifically for this musical.
  • better than playing a stupid bimbo.
  • Yeah I guess so.
  • Yea, No kidding.
  • The Addict
    Aww man I was actually hoping Julie Taymor was a competent director.
  • Aww man I was actually hoping to see how they'd pull off a musical.
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