Thunderbolts ends up being one of the best films in the Marvel Cinematic Universe because it doesn't feel like something from the current MCU era.
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The Raid director Gareth Evans directs Tom Hardy in Havoc, a Netflix action movie loaded with violent shootouts. Here's our review.
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Until Dawn suffers from paper-thin characters but has enough monster mash energy to result in some horror movie fun. Here's our review.
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Ryan Coogler's Sinners is a rollicking crowd-pleaser packing a nasty bite, a horrific folktale with a genuine soul, and one of the best movies of 2025.
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The Amateur, starring Rami Malek as a CIA nerd out for revenge, is a surprisingly solid drama made for adults. Here's our review.
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A Minecraft Movie is a broad, slapstick farce without a hint of seriousness, reverence, or coolness. Most shocking? It's not terrible. Here's our review.
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The slasher comedy Hell of a Summer is low on scares but ends up being one of the coziest horror movies in recent memory. Here's our review
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Alex Garland and Ray Mendoza's Warfare is challenging, experimental, and downright brutal. It also demands that you bring your own thoughts to the table.
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David Ayer and Jason Statham reunite for A Working Man, a pale imitation of better movies we've seen before. Here's our review.
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Rachel Zegler is quite good (and Gal Gadot is not) in Snow White, the latest product from the Disney remake machine. Here's our review.
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Robert De Niro pulls double duty playing two gangsters who go to war with each other in the underwhelming The Alto Knights. Here's our review.
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Locked, a thriller where Anthony Hopkins traps Bill Skarsgard in a deadly car, has its fun moments but leaves a lot to be desired. Here's our review.
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Nicolas Cage gets tormented by beach bullies and loses his mind in a parking lot in the trippy thriller The Surfer. Here's our review.
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Friendship, a dark, unsettling comedy starring Tim Robinson and Paul Rudd, is guaranteed to win over fans of I Think You Should Leave. Here's our review.
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The Russo Brothers new Netflix movie The Electric State is full of slick visuals, but the film itself is intellectually dull and loaded with unfunny jokes.
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A woman on a date finds herself terrorized by anonymous messages in Drop, the new thriller from Happy Death Day director Christopher Landon.
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Ben Affleck's numbers-savvy assassin Christian Wolff returns in Gavin O'Connor's entertaining action sequel The Accountant 2.
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Death of a Unicorn offers plenty of killer unicorn action and memorable performances, but after a while, it starts to feel a bit one-note. Here's our review.
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Anna Kendrick and Blake Lively return for Another Simple Favor, and our review out of SXSW indicates a bigger sequel with the leads bringing their A-game.
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Steven Soderbergh’s Black Bag, a marriage drama masquerading as a spy thriller, is stylish, sexy, and never outstays its welcome. Here's our review.
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Bong Joon-ho's Mickey 17, starring Robert Pattinson, is a deeply heartfelt and uncomfortably funny musing on capitalism, colonization, and corruption.
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The Gorge is a surprisingly romantic mashup of sci-fi, horror, and action, with great chemistry between Anya Taylor-Joy and Miles Teller. Here's our review.
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Competently made but lacking any emotional soul, Captain America: Brave New World is a forgettable, low-energy, by-the-numbers sequel. Here's our review.
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The Monkey, the new blood-soaked Stephen King adaptation from Longlegs director Osgood Perkins, never lives up to its potential. Here's our review.
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Ke Huy Quan handles his first leading role well in Love Hurts, but the film itself is unfunny and heavy on bland exposition. Here's our review.
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Opus, the new cult horror-comedy from A24 featuring Ayo Edebiri and John Malkovich, relies too heavily on twists and familiar story elements.
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The body horror comedy Together, starring Alison Brie and Dave Franco, is a fun gross-out date night horror movie best seen with a crowd.
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