The Raid's Gareth Evans is back with Havoc, a hard-hitting action film starring Tom Hardy, and the director told us about crafting those ambitious setpieces.
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Until Dawn director David F. Sandberg had to convince some of his colleagues (and the studio) that he could do some of the movie's effects practically.
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We spoke with showrunner Tony Gilroy and Mon Mothma actress Genevieve O'Reilly about Andor season 2, creative freedom, that awesome disco droid, and more.
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We spoke with the incomparable Delroy Lindo about working with Ryan Coogler on Sinners, why he didn't see the movie as a horror film, and much more.
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Christopher Landon, director of the new thriller Drop, says it's harder than ever to convince studios to make original films. Read our full interview with him.
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We sat down with Alex Garland and Ray Mendoza, the directors of A24's Warfare, to talk about how they made one of the most intense war films of all time.
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Stranger Things star Finn Wolfhard tells us the unexpected films that inspired him and Hell of a Summer co-director Billy Bryk when making their horror comedy.
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The Ballad of Wallis Island, the latest entry in the unofficial subgenre of "gentle cinema," is based on a short film from nearly 20 years ago.
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Tommy Boy is 30 years old this year, and the director shares his favorite Chris Farley memory and several stories about making the movie on today's /Film Daily.
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Have you noticed that a lot of modern film and TV scores have an '80s-inspired sound? We spoke with several composers to find out why that vibe has persisted.
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After years of making massive-budgeted franchise plays, director Jaume Collet-Serra returns to horror with The Woman in the Yard.
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We visited the set of Blumhouse's newest horror movie, The Woman in the Yard. Here's what we learned and what we saw on the production's last day.
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Locked director David Yarovesky and his team went all-out creating an SUV where Bill Skarsgård becomes trapped. Here's how they pulled off one incredible shot.
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Mark Anthony Green, the writer/director of A24's Opus, tells us about creating credible pop music for his film & writing a cult manual we'll never get to read.
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Bugs Bunny does not appear in The Day the Earth Blew Up: A Looney Tunes Movie. The director explains why that character sat out this historic Looney Tunes film.
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Bong Joon Ho and actors Toni Collette and Naomi Ackie talk about how their new film Mickey 17 reflects our world, and how to survive oppressive conditions.
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Charlie Cox and Vincent D'Onofrio explain why Matt Murdock/Daredevil and Wilson Fisk/Kingpin share so little time on screen together in Daredevil: Born Again.
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There's a lot of confusion about what intimacy coordinators do on film and TV show sets. We interviewed two to discuss what their job entails.
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Director Oz Perkins tells us about bringing The Monkey to life, why he doesn't think of it as a horror movie, and his next film (which is coming out this year).
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Lee Child, the creator of the Jack Reacher character, appreciates that Reacher star Alan Ritchson's performance really nails one particular aspect of the hero.
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There's a stunt in Reacher season 3 that caused star Alan Ritchson to bleed all over the set for multiple takes. Hear him tell the story on today's /Film Daily.
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Better Man's festival battle climax had some obvious influences (LOTR & GOT), but you'll never guess the 1990s French film that also inspired that wild scene.
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After a great teaser kept things mysterious, the full trailer for Companion gave away one of the film's biggest twists. Does knowing that twist hurt the movie?
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David Koepp, screenwriter of the first Jurassic Park, returned for Jurassic World Rebirth and says it's 'a chance to start over' while remaining in continuity.
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Here's why Rockstar Games, the publisher of the Grand Theft Auto video game franchise, allowed the filmmakers of Grand Theft Hamlet to make their movie.
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Peacock's new Saturday Night Live documentary series, SNL 50: Beyond Saturday Night, proves why the sketch show is truly immortal.
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The directors of the fantastic documentary Grand Theft Hamlet tell us how they managed to make an entire film set within the world of Grand Theft Auto Online.
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