venus review

I’m going to spoil Venus for you up front: it’s a film that ends happily.

This isn’t so much a spoiler, though, as much as it is a reassurance of what becomes amply clear mere minutes in. It’s a family comedy – in tone, structure and everything else – and thus, it’s a queer narrative that doesn’t wallow in the misery of its protagonist. Things don’t often end well for queer women in fiction (for trans women especially), and so a film that not only centers a trans woman, but does so this lovingly, is undoubtedly worth noting. What’s more, it exists at the nexus of Canada’s queer and Punjabi-immigrant cultures, bringing with it not only a whole host of quirks, but the requisite nuances therein.

Indo-Canadian trans woman Sid Gill (Debargo Sanyal) discovers the teenage Caucasian son she fathered when she identified as a man in her teen years. She doesn’t have the bandwidth to compartmentalize this disruption. Her son Ralph, well… Ralph wants to be more Indian than Sid has ever allowed herself to be, whether in terms of music or language or food. It is, quite simply, a delight.

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