The Unknown Saint Review

Getting the tone right of a black comedy is excruciatingly hard. Go off too far in one direction and it becomes a maudlin mess, too far the other and it feels churlish or mean, making light of a serious situation rather than maintaining that delicate balance that’s satiric rather than scornful. Add religion and faith into the mix and you’ve got pitfalls deep enough to fell even masters of the form. The fact that a first time filmmaker, Alaa Eddine Aljem, manages such a magic trick with his debut The Unknown Saint is thus all the more reason to worship this gem of a film.

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