Posted on Monday, April 30th, 2018 by Hoai-Tran Bui
Put Annette Bening, Saoirse Ronan, Elisabeth Moss, and Corey Stoll in a room, and you’ve got yourself one of the most talented, charismatic rooms in Hollywood. It’s too bad that The Seagull, Michael Mayer‘s plodding, histrionic adaptation of the Anton Chekhov play of the same name, puts that talent to waste.
Mayer and screenwriter Stephen Karam enthusiastically try to modernize an 1896 romantic drama that is steeped in the subtext and social environment of Chekov’s Russia. And while the camera swings with lively verve and the lush, picturesque setting lends a dreamy quality to the film, the many colorful characters are still stuck in a story that feels like it’s over 100 years old. At the end of the day, Bening and Ronan can only do so much, and The Seagull becomes a comedy of errors without the comedy.