Posted on Tuesday, June 18th, 2019 by Josh Spiegel
(Revisiting the Renaissance is a bi-weekly series in which Josh Spiegel looks back at the history and making of the 13 films of the Disney Renaissance, released between 1986 and 1999. In today’s column, Spiegel takes a look at the oft-forgotten sequel The Rescuers Down Under.)
The 1990s were an exceptionally successful period for the Walt Disney Company. They expanded their footprint on TV with the acquisition of ABC, they built out an environmentally friendly theme park in Disney’s Animal Kingdom and began building more theme parks around the world, they started a fruitful relationship with Pixar Animation Studios, and their own hand-drawn animated films were a force to be reckoned with.
It took only a couple of years for Disney Animation’s prospects to flip from doom and gloom to success. In 1986, the first entry in the Renaissance, The Great Mouse Detective, showed promise but was still an underdog at the box office to the competition, Don Bluth’s An American Tail. Yet by 1990, they’d gotten Oscar love and a worldwide embrace with The Little Mermaid, and the competition had to chase them.
While Disney did satisfy the executive commitment to release one animated film per year throughout the decade, they had to get over a boomerang of an obstacle first.