best movies of 2019 so far

Believe it or not, the surreal nightmare that is 2019 is half over. As we head into the latter half of the year, it’s time to look back at the 10 best movies of 2019 so far. This year was off to a slow start, and some of the films on my list aren’t even out yet – I was lucky enough to catch them at the Sundance Film Festival. There are also a handful of currently playing films I’ve heard great things about, but have yet to see – The Last Black Man in San FranciscoLong Day’s Journey into NightWild Rose. I’ll catch up with them before the year is out, but for now, here are the 10 movies that I enjoyed the most this year so far.

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Best Movies of 2019 So Far

We’ve officially hit the midpoint of 2019, and that means it’s time to take stock of the year’s best movies so far. This summer has been mostly unremarkable, with a few glimmers of greatness here and there, but thankfully, the rest of the year has offered some gems worth gushing about. Honestly though, most of the great movies this year, at least for my personal list, come courtesy of the 2019 Sundance Film Festival, and thankfully, they’ll be on the way to theaters soon enough.

Below, find out my list of the 10 best movies of 2019 so far. Read More »

the report and vice

(Welcome to The Soapbox, the space where we get loud, feisty, political, and opinionated about anything and everything. In this edition: Vice and The Report are among the first films to truly look back at the Bush years with a severe and critical eye..)

Adam McKay‘s Vice and Scott Z. Burns‘ Sundance film The Report both hold a microscope up to the actions of the Bush Administration, in very different ways. But both The Report and Vice arrive at the same conclusion: we’re doomed to repeat our mistakes, even after we’ve studied them.  Read More »

The Report Sundance Review - Adam Driver

Scott Z. Burns has plenty of Hollywood experience as the writer of The Bourne Ultimatum, Side Effects, Contagion and The Informant. With his feature directorial debut The Report, one of our most anticipated titles of Sundance this year, the filmmaker shows that he’s picked up a step or two from directors Paul Greengrass and Steven Soderbergh. The result is a quiet but boiling political thriller that explores the infuriating and ethically questionable enhanced interrogation tactics employed by the CIA following the terrorist attacks of 9/11. Read More »