Many people who move to Los Angeles do so because of movies. If you want to star in them, you move here. If you want to make them, you move here. If you want to write about them, you move here. And as a result of that, if you love watching movies, there’s really no better place to live in the world.
Case in point, the 4th Annual Wayne Federman International Film Festival. The name may not sound familiar but the event will drop jaws. It takes place at Cinefamily beginning March 5 and features screenings of Klown, Breakfast At Tiffany’s, Ghostbusters, Fletch, MacGruber, Big and The Descent. Those are pretty awesome on it’s own. But the real draw of this are the guests. In attendance will be Will Forte, Paul Scheer, Lauren Lapkus, Sacha Baron Cohen, Kumail Nanjiani, Doug Benson and Chris Hardwick.
Below, find out more about the Wayne Federman International Film Festival. Read More »
In Los Angeles, we’re blessed with some of the best movie theaters in the world. I’m not talking about the state-of-the-art multiplexes either. I mean the multitude of tiny repertory theaters that show everything from silent films to cult releases of the ’80s, ’90s and today. Theaters like these are heaven for film fans. A place to see an old favorite on the big screen with a director Q&A after, sitting next to a Hollywood star, who is there just to experience the movie as a fan like you.
The problem with these theaters is they have a limited mass appeal. Without the latest movies to show, their audiences are generally limited. So they struggle to stay afloat. One of Los Angeles’s best repertory theaters, the Cinefamily, is currently in need of some support to keep up with the advancing technology in the film industry. So they’ve started a Kickstarter. Just head to that link to help or read more about the theater and its aims below. Read More »
Saul Bass is widely known for his work as an artist, title designer, and corporate logo craftsman. His movie posters and title work for films such as The Man With the Golden Arm, Anatomy of a Murder and many movies by Alfred Hitchcock and Martin Scorsese cemented his ideas as cornerstones of cinematic storytelling and advertising. The logos and icons he designed for companies such as Quaker Oats, the United Way, AT&T, and Girl Scouts of America all defined those companies’ public image for years.
Saul Bass also directed one feature film: a very strange and wonderful sci-fi picture called Phase IV, in which a colony of ants evolves into a collective hive mind. When two humans begin investigating the ants’ desert home, the insects go on the offensive. The ants are played by real insects, shot with beautiful macro photography, and the film is defined by a sci-fi ethos that is somewhere between “hardcore” and “dreamlike.”
Which is to say, Phase IV isn’t a traditional film. It prioritizes image over dialogue and is a pure expression of Bass’ design interests. The movie has had a lasting influence on other designers (you can see its influence in other sci-fi, in comics and on album covers) but it originally ended in a way different than what most audiences have seen. And now that original ending is making its way to the public. Read More »