‘Summertime’ Review: ‘Blindspotting’ Director Carlos Lopez Estrada Takes a Poetic Look at Millennial Life in Los Angeles [Sundance 2020]
Posted on Friday, January 24th, 2020 by Ben Pearson
Carlos Lopez Estrada returns to the Sundance Film Festival two years after directing his feature debut, Blindspotting, a love letter to Oakland which included a few scenes of its lead characters freestyle rapping their emotions aloud to each other. In Summertime, his spiritual follow-up, Estrada turns his lens on Los Angeles and makes lyricism the movie’s dominant form of communication. Written by and starring 25 diverse Los Angeles poets, Summertime is a shaggy, criss-crossing saga of young people in L.A. exploring fame, rejection, ambition, and self-reflection – oh, and one of the characters really, really wants a cheeseburger. Picture a DVD of Richard Linklater’s Slacker being passed around as a totem in a slam poetry class, and that gets close to approximating the experience of watching this film.