sorry to bother you cast

LaKeith Stanfield has had a breakout year, following up his scene-stealing role in FX’s Atlanta with another standout performance as the lead in Boots Riley‘s indie hit Sorry to Bother You. But while Sorry to Bother You set Stanfield on an upward trajectory in Hollywood, that almost wasn’t the case. Riley revealed that Jordan Peele and Donald Glover almost landed the role of the telemarketer with an uncanny “white voice.” But in the end, it turned out fine for all three of them — Peele and Glover had pretty great years, too.

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Academy Conversations

Blockbuster summer is almost over, and while you might have seen a lot of big studio movies in theaters over the past few months, hopefully you also caught some of the indie gems that hit the big screen in between all the explosions, superheroes and general noise of tentpole releases.

For those of you lucky enough to catch lower profile releases like Blindspotting, Eighth Grade, Sorry to Bother You, Puzzle, The Miseducation of Cameron Post and Don’t Worry, He Won’t Get Far on Foot, now you can watch a batch of Q&A videos from special screenings at the Academy of Motion Picture Arts and Sciences featuring the filmmakers and casts of these acclaimed indie movies. Read More »

Actor Javier Botet

The Morning Watch is a recurring feature that highlights a handful of noteworthy videos from around the web. They could be video essays, fanmade productions, featurettes, short films, hilarious sketches, or just anything that has to do with our favorite movies and TV shows.

In this edition, meet actor Javier Botet, a man you’ve undoubtedly see on screen, but in a much scarier form than he appears. Plus, watch an Academy conversation with director Boots Riley and the cast of his indie Sorry to Bother You, and see what a scene from Back to the Future is light with terrible sound effects. Read More »

Conversation With Boots Riley

(This article was written by Rosie Knight and Jazmine Joyner.)

Rosie:  On a very hot summer afternoon in July, Jazmine invited me to join her at a listening party for the original soundtrack for Sorry To Bother You. We both adored the film and were incredibly excited to get a chance to hear the soundtrack. Plus, it would be a chance to listen to director Boots Riley talk about creating the radical, unexpected, hilarious, and vital film that we’d fallen head over heels in love with. Jaz, you saw Sorry To Bother You months ago at an early screening and have gotten to see the way the film’s been received in its wider release. What were you most excited about seeing Boots cover when we headed to the event?

Jazmine: I was really excited to hear him talk about how his music career influenced his work with Sorry To Bother You, and possibly listen to him expand on the socio-political themes within the film. But overall I was just really into the idea of getting to hear about his process in detail and all that comes with it.

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sorry to bother you spoilers

It’s easy to get swept up into the sheer WTF-ness of Sorry to Bother You. A black male telemarketer (Lakeith Stanfield) becomes a white man over the phone in order to accelerate his professional success, subsequently gets swallowed up into the system, and tries to fight the power only after he becomes the mutant creature “the man” has always seen him as. It’s a lot to wrap your head around. But for many black people, this metaphorically captures the struggles that so many face on a day-to-day basis in Corporate America. 

(The rest of this post contains spoilers for Sorry to Bother You.)

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/Filmcast Ep. 477 – Sorry to Bother You

sorry to bother you featurette
David, Devindra, Jeff, and Kristy discuss what The Equalizer doesn’t understand about its own appeal, and check out Carlos Lopez Estrada’s Blindspotting. Plus, Kristy reports back from the 2018 Fantasia International Film Festival.

You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. Also, follow us on Twitter or like us on Facebook.
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John Cena Surprises Fans

The Morning Watch is a recurring feature that highlights a handful of noteworthy videos from around the web. They could be video essays, fanmade productions, featurettes, short films, hilarious sketches, or just anything that has to do with our favorite movies and TV shows.

In this edition, see what happens when John Cena cosplays as Bumblebee at San Diego Comic-Con. Plus, learn about the art of “the white voice” from the absurd indie comedy Sorry to Bother You, and find out all about British slang from Mission: Impossible – Fallout stars Simon Pegg and Henry Cavill. Read More »

sorry to bother you red band trailer

“An economic system characterized by private or corporate ownership of capital goods, by investments that are determined by private decision, and by prices, production, and the distribution of goods that are determined mainly by competition in a free market.”

Boots Riley’s film Sorry To Bother You is a film people have been buzzing about for a while, for a good reason. It is a fun comedy steeped in magical realism, with fantastic acting and brilliant cinematography, a film that shouldn’t be missed in theaters. But Boots Riley’s film is also an anti-capitalist love-letter, and we definitely need to talk about that.

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sorry to bother you featurette

One of the first things you notice about Sorry to Bother YouBoots Riley‘s new social satire that is sparking conversations about black identity, is how stacked its cast is. And a new featurette highlights the character actor-studded cast.

Atlanta breakout LaKeith Stanfield leads a cast filled with everyone’s favorite rising stars, including Tessa Thompson, Armie Hammer, and Steven Yeun. Each of these actors alone would be enough to bring you into the theater, but combined, they’ll make you want to stay.

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Cool Posts From Around the Web:

Sorry to Bother You Interview

The cast of the Boots Riley-directed Sorry To Bother You were matching. No, seriously: Steven Yeun (Squeeze) and Jeremy Fowler (Salvador) were wearing the exact same light blue stripe nautical-esque tee, while LaKeith Stanfield (Cassius “Cash” Green) wore the matching hat (also light blue and striped).

Whether or not the outfits were planned, I couldn’t be sure. But that’s mainly due to the ease and sense of closeness that this cast has that it could be imagined that some of the men wanted to match for the hell of it. In this world that Riley has created, anything goes.

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