New York Film Festival Main Slate 2019

I’ve heard from many a festival-goer that it’s possible to work through the entire New York Film Festival lineup – or at least its premier section, the Main Slate – given how the event spreads out manageably over the course of seventeen days all at Lincoln Center. But with schedule conflicts or lack of interest in certain titles, it’s a feat seldom seen or accomplished. Or, maybe given how gluttonous I feel after having done this myself, people choose not to brag about it if they do manage to pull it off.

While battling fatigue as well as exhaustion, plus countless instances of doubting if this was something I actually wanted to do, I managed to see all 29 films programmed in this year’s NYFF Main Slate. (If you’re the ranking type, I did just that over on Letterboxd.) I learned plenty about myself and some masochistic moviegoing habits after subjecting myself to this marathon of viewing contemporary cinema, but that’s a subject for another piece. It’s impossible to watch this incredible selection of films from across the globe and not have some larger takeaways about trends, patterns and parallels. Here are ten lessons from surveying the Main Slate in its entirety. Read More »

new york film festival 2019 week 2 recap

The 57th annual New York Film Festival started off strong, with Martin Scorsese’s interrogation of time in his mob masterpiece The Irishman. So it is perhaps rather fitting that the whirlwind two weeks of prestige films will end with a movie displaced out of time. Edward Norton’s noir passion project Motherless Brooklyn was a somewhat baffling capper to this year’s New York Film Festival, which was filled with its share of hits and misses. One of those misses is the impenetrable Lou Ye black-and-white romance drama Saturday FictionBut a few of the gems were unmissable, including Agnes Varda’s final film Varda by Agnes.

Dive into our New York Film Festival 2019 Week 2 recap.

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