Saint Maud Review

Have there been studies linking trauma and piety? How many born-again converts came to their faith through suffering, damage and pain? First time feature filmmaker Rose Glass examines just that, following newly devout nurse Maud (Morfydd Clark) and her relationship with her patient, Jennifer Ehle’s Amanda. Maud most recently worked at a public hospital, but after a mysterious tragedy concerning her last patient, she’s now a private nurse for Amanda, a celebrated dancer dying from lymphoma of the spine. Amanda’s iconoclasm and Maud’s sanctimoniousness make for a dangerous combination, one that Glass takes in fascinating and deeply unexpected places.

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