If you’re bored with the traditional movies found in your local theater, fear not: Mandy is coming.
That’s not to say that all of the films that are out right now are traditional – far from it – but Mandy, the trippy and twisted revenge thriller from director Panos Cosmatos (Beyond the Black Rainbow), is operating on an entirely different level from anything that’s been in theaters for a long time. This movie is next-level nuts, and now you can to have the chance to see it a bit early.
Regal Cinemas and Alamo Drafthouse have teamed up with RLJE Films to offer Mandy advance screenings in over 200 theaters across the United States – and in addition to seeing the film early, attendees will also be able to see an exclusive taped conversation between Cosmatos and star Nicolas Cage afterward. Trust me – Cage fans won’t want to miss this. Read More »
Nicolas Cage. Andrea Riseborough. The director of Beyond the Black Rainbow. Evil cults. Chainsaw fights. What more do you need?
Mandy is the latest stylish nightmare from Beyond the Black Rainbow filmmaker Panos Cosmatos, and it looks delightfully deranged. In the film, Cage plays a man on a quest for vengeance, battling cultists and supernatural creatures. Watch the Mandy trailer below.
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A primal, psychedelic rage-scream of a movie, Mandy takes a while to get going, but once it does, it delivers exactly what fans are hoping for: Nicolas Cage fully unleashing the beast within and absolutely wrecking people with a giant axe and a chainsaw. It’s just a shame it doesn’t get to the blood-soaked revenge much sooner. Read More »
Mandy will premiere at the Sundance Film Festival in a few days, and it will bring with it a scene where Nicolas Cage fights someone with a chainsaw. At least, that’s what the very cool new Mandy poster hints at. The new film from Beyond the Black Rainbow director Panos Cosmatos stars Cage and Andrea Riseborough.
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There is an image in this trailer for Beyond the Black Rainbow in which a silhouetted woman seems to crawl out of the pupil in a screen-filling close-up of a human eye. It’s beautiful and weird, and that’s the trailer in a nutshell. Watching this, I have no idea what this film is about. I do know that it is the writing and directing debut of Panos Cosmatos, and that it played a few festivals in the past couple years, premiering in the US last year at the Tribeca Film Festival.
Watching the trailer again I also know that Cosmatos is a big fan of Stanley Kubrick and early David Cronenberg, as well as probably any esoteric bits of psychedelic science fiction from the late ’60s through the early ’80s. (There’s even a vibe of Matt Howarth comics, although Howarth seems to be so close to forgotten that I don’t expect that means much to many people now.) I can tell that the film is probably very, very slow and destined to drive some audiences crazy, but that just makes me want to see it a bit more. Read More »
Trailers are an under-appreciated art form insofar that many times they’re seen as vehicles for showing footage, explaining films away, or showing their hand about what moviegoers can expect. Foreign, domestic, independent, big budget: I celebrate all levels of trailers and hopefully this column will satisfactorily give you a baseline of what beta wave I’m operating on, because what better way to hone your skills as a thoughtful moviegoer than by deconstructing these little pieces of advertising? Some of the best authors will tell you that writing a short story is a lot harder than writing a long one, that you have to weigh every sentence. What better medium to see how this theory plays itself out beyond that than with movie trailers?
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