Olivier Assayas’ Non-Fiction shows one of the great contemporary filmmakers at his most perceptive and loquacious. His latest film strays away from the mysticism of recent entrancing efforts like Clouds of Silas Maria and Personal Shopper, instead portraying an hour and 45 minutes of exhaustive (and occasionally exhausting) conversations about the state of the arts and society at large. I couldn’t take notes fast enough to capture all his brilliant observations on everything from the discussion on the decline of the critic as tastemaker to a sly bit of visual humor ridiculing the multiplicity of electronic devices in our lives.

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