Trailers are an under-appreciated art form insofar that many times they’re seen as vehicles for showing footage, explaining films away, or showing their hand about what moviegoers can expect. Foreign, domestic, independent, big budget: What better way to hone your skills as a thoughtful moviegoer than by deconstructing these little pieces of advertising? This week we take a look at a little indie that could, get to know a different kind of white rapper, start spinning like a dervish in the parking lot with other hippie chicks, stand with mouth agape at some schlocky sci-fi, and remember Whitney Houston through the eyes of the director who brought us Kurt & Courtney. Read More »
Trailers are an under-appreciated art form insofar that many times they’re seen as vehicles for showing footage, explaining films away, or showing their hand about what moviegoers can expect. Foreign, domestic, independent, big budget: I celebrate all levels of trailers and hopefully this column will satisfactorily give you a baseline of what beta wave I’m operating on, because what better way to hone your skills as a thoughtful moviegoer than by deconstructing these little pieces of advertising? Some of the best authors will tell you that writing a short story is a lot harder than writing a long one, that you have to weigh every sentence. What better medium to see how this theory plays itself out beyond that than with movie trailers?
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The long Labor Day holiday weekend is upon us, and between that and the Venice and Telluride film festivals, it seems like a lot of Hollywood has shut down in anticipation of the last relaxing days of summer. But we’ve got a few new casting bits to throw your way regardless. After the break,
- Ed Helms will remake a French pimp comedy,
- Paul Dano is among the cast additions to Kelly Reichardt’s new film Night Moves,
- The unlikely duo of Stephen Dorff and Steve Coogan are in an adaptation of the novel The Catastrophist,
- and found footage film Evidence gets new players.
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British documentarian Nick Broomfield has been on the film scene for years, and has made a few notable contributions such as the Spalding Gray movie Monster in a Box. But since the 1998 film Kurt and Courtney his documentary exposés have been characterized by sensationalism more than anything else. It’s as if the emerging influence of Michael Moore took root and helped mutate his style in just the wrong direction.
His latest film is Sarah Palin – You Betcha!, which is now scheduled to play as part of the Toronto International Film Festival documentary program. A teaser — really just a clip from the film — is now available, and you can see the Michael Moore influence in glowing neon. Read More »