(Welcome to Pop Culture Imports, a column that compiles the best foreign movies and TV streaming right now.)
I’m doing something a little different this week in celebration of the Netflix release of Neon Genesis Evangelion, the seminal anime series that has launched a million essays and even more memes. This entry of Pop Culture Imports is themed to Neon Genesis Evangelion and its creator Hideaki Anno, including the acclaimed 26-episode series itself, as well as the follow-up feature films The End of Evangelion and Evangelion: Death (True). Also featured is Anno’s excellent kaiju film Shin Godzilla and an NHK documentary series on Anno’s mentor Hayao Miyazaki.
Fire up those subtitles (because we’re sub, not dub, people) and let’s get streaming.
Read More »
David, Devindra, Jeff welcome back a Kristy Puchko cameo on the podcast. Devindra strongly urges people to watch Neon Genesis Evangelion on Netflix. For the feature review, the cast ask the important question: is the forth installment in the Toy Story franchise a soulless cash grab or a beautiful continuation of the beloved tale?
Find more of Kristy’s work at decadentcriminals.com. Read Kristy’s take on a Twitter war over a craft project here. Read about what Jon Negroni learned from Toy Story 4 about his own disability and the metaphysical implications of Toy Story 4 for the Toy Story universe.
Check out Jeff Cannata’s new D&D show Dungeon Run. Listen to David’s other podcast Write Along with writer C. Robert Cargill Devindra’s new podcast Know More Tech, answering your question on the latest gadgets. Subscribe to David’s Youtube channel at Davechensky.
You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. Also, follow us on Twitter or like us on Facebook.
Read More »
Fandom is a religion that thrives on killing its own gods. In Neon Genesis Evangelion, there’s a passing line of dialogue that suggests self-destruction is the natural endpoint of evolution. The Japanese television and film series periodically evokes deicide with exotic Judeo-Christian imagery, such as god-killing spears and figures nailed to crosses. Yet it’s known for the line, “The fate of the destruction is the joy of rebirth.” Evangelion is a franchise that evolved to the point of self-destruction, only to be reborn, or rebuilt, numerous times over. Its latest rebirth is on Netflix, where it became available to watch last Friday.
The ability to conveniently view one of the greatest anime works of all time should be cause for celebration among U.S. fans, whose main avenue for watching the series since the DVDs went out of print years ago has been illegal streams, expensive copies from third-party Amazon sellers, or the sketchy online market of bootlegs. Due to licensing entanglements, however, the situation with Evangelion has come to resemble Star Wars, whereby the original, unaltered theatrical trilogy is unavailable on home media. Here again, the version that is out there for mass consumption is different from the one fans first experienced, with redubbed voices, new subtitles, censored relationships, and missing music.
The reaction on social media had been typically harsh, enough so that it almost plays right into Evangelion’s metaphorical god-killing cycle, as complaints drown out discussion of the anime epic’s lasting virtues and the baby gets thrown out with the bathwater all over again. What’s important is that the series is catching a wave of renewed interest, and as it finds a fresh audience, it’s ripe for discussion, particularly as it relates to themes of personal dysfunction, social withdrawal, and the intersection between fan culture and storytelling.
This article contains spoilers for the entire series.
Read More »
Neon Genesis Evangelion made its grand streaming debut on Netflix today, but as fans settled down to watch the seminal and influential anime series, they immediately noticed one thing was missing: Claire Littley’s cover of “Fly Me To the Moon.”
Read More »
Shinji, get back in the dang robot! You’re going to Netflix. The widely acclaimed, hugely influential anime series Neon Genesis Evangelion is finally making its global streaming debut on Netflix next year, as part of the streaming service’s 2019 anime line-up, which also includes Rilakkuma and Kaoru, SAINT SEIYA: Knights of the Zodiac, and Ultraman.
Read More »
If you’re in the continental US, it’s hard to get closer to Japan than San Francisco. That makes the Bay City the perfect place for artist Joshua Budich‘s first solo show Otaku Obscura, a tribute to the art of Japanese animation. Opening October 4 at Spoke Art in San Francisco, Budich has created 28 brand new prints based on some of the most famous and popular anime of all time. Films like Akira, My Neighbor Totoro, Neon Genesis Evangelion, Ghost in the Shell, Princess Mononoke and Cowboy Bebop.
Below, we’ve got just some of the gorgeous pieces of Joshua Budich anime art that’ll appear in the show including a /Film exclusive. Check them out below. Read More »