(Welcome to 21st Century Spielberg, an ongoing column that examines the challenging, sometimes misunderstood 21st century filmography of one of our greatest living filmmakers, Steven Spielberg. In this edition: War of the Worlds and Munich.)

In 1993, Steven Spielberg reached the pinnacle of his career. The perfect encapsulation of his considerable talents. In June of that year, he released Jurassic Park, one of the biggest blockbusters to ever roar its way out of Hollywood. Blending Spielberg’s gift for visual storytelling with cutting-edge technology, Jurassic Park confirmed Spielberg as an unstoppable movie-making master – a man who could make the impossible possible. By December of that same year, the filmmaker would release something altogether different – Schindler’s List. A searing, wrenching drama rooted in the Holocaust, it would go on to win Spielberg his first Best Director and Best Picture Oscars. It was the biggest artistic triumph of his métier. The fact that one filmmaker delivered Jurassic Park and Schindler’s List in the same year is often remarked upon, and marveled over. 

But perhaps more remarkable is the fact that in 2005, Steven Spielberg did it again.

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Munich - The Morning Watch

The Morning Watch is a recurring feature that highlights a handful of noteworthy videos from around the web. They could be video essays, fanmade productions, featurettes, short films, hilarious sketches, or just anything that has to do with our favorite movies and TV shows.

In this edition, a video essay illustrates how Steven Spielberg expertly uses sound design to immerse you in the world of his movies. Plus, find out how Gremlins changed the world in more ways than one, and watch a trailer for Star Wars: The Last Jedi edited in the style of the Avengers: Infinity War trailer. Read More »

Over the weekend the American Cinema Editors (ACE) held their annual awards, where The Social Network, Alice in Wonderland and Toy Story 3 took honors for feature editing in the dramatic, comedy/musical and animated categories.

But the highlight of the night may have been the lifetime achievement award given to Michael Kahn, presented by Steven Spielberg. That award was accompanied by a reel highlighting the master editor’s many credits, and in the spirit of celebrating someone who has been an invaluable but often invisible contributor to many of the films we love, we present the highlight reel after the break. Read More »