A lot of films that premiere at the Sundance Film Festival are hoping to attract a distributor and find a wider audience, be it in theaters around the country or distributed through digital VOD. Throughout the festival, we will be reporting on all of the movies sold at Sundance 2017. This list should help give you an idea about which movies may someday be available to you either theatrically of VOD. These are the movies sold at Sundance 2017.
Latest update: IFC Films and Sony Pictures acquires Band Aid, Magnolia buys Fergeson documentary Whose Streets?.
Previous update: The Orchard and CNN Films acquire the endangered animal hunting documentary Trophy, A24 lands father/son drama Menashe, and The Orchard acquires the US documentary grand jury prize winner Dina.
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Posted on Monday, January 30th, 2017 by Angie Han
The reviews have been filed, the awards have been handed out, and the stars and cinephiles have left Park City: it’s time to close the book on the Sundance Film Festival for another year. Last week we brought you our quick impressions of every single film we saw at Sundance 2017. Today we’re rounding out our coverage with a ranked list of our very favorite movies from the fest. Click through to find out what we loved.
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The /Film team of Angie Han, Ethan Anderton, and myself have returned from the 2017 Sundance Film Festival. Over the six days we were in Park City, we screened over 36 movies (with only one movie having been watched by all three of us). Here are 15-second capsule reviews of all the movies we saw at the 2017 Sundance Film Festival.
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Posted on Monday, January 23rd, 2017 by Angie Han
Any movie should consider itself lucky to have an ensemble as good as the one anchoring Mudbound, which includes Jason Mitchell, Garrett Hedlund, and, most unexpectedly, Mary J. Blige. Directed by Dee Rees (whose debut feature Pariah was a breakout favorite at Sundance 2011), the drama follows two families — one black, one white — living on the same farm in the Mississippi Delta around the time of World War II.
The white McAllans own the property, despite the fact that household head Henry (Jason Clarke) is a Memphis gentleman who knows little about the land, and seemingly moved his family to the country on a whim. The Jacksons, on the other hand, have worked these acres for generations, for one white owner after another. Both clans are forever changed when World War II hits, and then again when the war ends and brings their loved ones back home. Read More »