Dracula and Frankenstein

In 1992, when Francis Ford Coppola released Bram Stoker’s Dracula, his tragically romantic take on the gothic horror story was well-liked enough. Audiences responded to what Roger Ebert called the “feverish excess” of the film. It’s a film that takes the classic vampire tropes that we expect and examines them through two lenses: one of gothic romance and another that hews closer to the original source material than we’d ever really seen before.

After Dracula, Coppola was interested in directing what became Mary Shelley’s Frankenstein, but settled on producing it, bringing in Kenneth Branagh to direct the material in a way that only he could. Audiences and critics at the time rebelled against this vision of the classic tale of the modern Prometheus, but taken together as a double feature, I think these movies elevate each other into something that was impossible to see upon their release almost 30 years ago. 

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