little woods review

The Western has wholly transformed since the days when John Wayne first drew his pistols. No longer is it a glamorous validation of rugged individualism, or a sweeping ode to Americana. No, the times, they are a-changin’ — and with it, one of cinema’s oldest genres.

Nia DaCosta‘s haunting directorial debut, Little Woods, is the latest incarnation of the Western, a potent slow-burning thriller that taps into the economic devastation that has wracked middle America for the past few decades. And anchored by two incredible performances by stars Tessa Thompson and Lily JamesLittle Woods becomes an intimate and painfully now film that gives us a glimpse of the evolution of a genre primarily populated by hypermasculine men.

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