Terrence Malick‘s films are often quite patient in their pacing. They aren’t exactly high-energy, unless you find excitement in staring off into the distance for long periods of time, caressing a lover’s hand or hair, or talking about what it all means to be alive. Malick’s movies are invigorating in their own way, as tone poems. However, his latest film, Knight of Cups, looks quite enthralling, in a more conventional sense.
Watch the Knight of Cups trailer after the jump.
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Posted on Tuesday, October 6th, 2015 by Jacob Hall
Jeremy Saulnier‘s Green Room is the cinematic equivalent of getting your face bashed in. In a good way, of course. This take-no-prisoners thriller has been making the festival rounds throughout 2015, sucker-punching unsuspecting audiences from Cannes to Toronto. It’s a mad and brilliant movie… and it’s already been picked up by A24, who have officially given this gruesome instant-gem a release date.
For details on the Green Room release date, hit the jump!
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Green Room, the upcoming thriller from Blue Ruin writer/director Jeremy Saulnier, features Anton Yelchin, Imogen Poots and Alia Shawkat as members of a band who are trapped in a backwoods venue by a white power gang led by Patrick Stewart.
The movie is perched near the top of my “most anticipated films of 2015” list, and there’s some good news and bad news on that front. The good news is that Green Room has been picked up for distribution in the US by the terrific A24, which also boasts films such as The Witch (see that ominous trailer here), The End of the Tour, Ex Machina, and Slow West. The bad news is that the Green Room release isn’t set for this year.
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Posted on Friday, January 23rd, 2015 by Angie Han
For the first time since 2001, we have a new Peter Bogdanovich film arriving this year. She’s Funny That Way (formerly titled Squirrels to the Nuts, a reference to Ernst Lubitsch’s Cluny Brown) stars Owen Wilson as Arnold, a theater director who gets involved with an escort and aspiring actress (Imogen Poots) whose therapist (Jennifer Aniston) is dating his playwright (Will Forte) — who, in turn, begins to fall for the escort.
Meanwhile, Arnold tries to duck the wrath of his wife (Kathryn Hahn), who’s also his star, along with her ex (Rhys Ifans). Lucy Punch is somehow involved as well. It’s a lot to keep track of, so see if you can keep up with the She’s Funny That Way trailer after the jump. Read More »
When Cameron Crowe and J.J. Abrams team up for a TV show, it’s pretty obvious lots of people are going to be interested. Not just in watching it though, but taking part in it too. Well, Crowe and Abrams are both executive producing a new Showtime pilot called Roadies and the first two actors have just come on board: Luke Wilson and Imogen Poots. Read more about the Roadies casting below. Read More »
Jeremy Saulnier is putting together the follow-up to his excellent thriller Blue Ruin, and he’s got a cast that makes the film an instant lock to see. Anton Yelchin, Alia Shawkat and Imogen Poots all star in Green Room, which Saulnier wrote and will direct. But it’s the most recent addition that will probably get your attention. Patrick Stewart has joined the cast to play the leader of a bunch of “white power skinheads.” Read More »
André Benjamin, aka André 3000 of Outkast, does a solid job of playing Jimi Hendrix in the movie Jimi: All Is By My Side. The film isn’t your typical biopic, as it veers away from providing a top to bottom account of the guitarist’s life. Instead, it focuses on the year of Hendix’s life in which he went from being an unknown supporting player to a guy on the brink of stardom.
During that year, he meets Linda Keith (Imogen Poots), who dates Keith Richards and consequently has the connections to get Jimi’s career started. The film wanders through this strange, intense year in the man’s life with an odd rhythm that gives it a unique feel. Some of that is captured in the new Jimi: All Is By My Side trailer, which you can see below. Read More »
Posted on Friday, March 21st, 2014 by Angie Han
In May, James McAvoy will show off his superheroic side as Charles Xavier in X-Men: Days of Future Past. But first, he’s gonna let out his inner villain in an Irvine Welsh adaptation.
The latest Filth red-band trailer has hit, and it shows McAvoy at his most unlikable. He plays Bruce Robertson, a sleazy, corrupt, drug-addicted cop who’ll stop at nothing to get what he wants. But the biggest obstacle standing in his way may be his own faltering grip on reality.
Jon S. Baird directed, and Imogen Poots, Eddie Marsan, Jamie Bell, and Jim Broadbent also star. Watch the video after the jump. Read More »
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John Ridley just had a great weekend as he won the Best Adapted Screenplay Oscar for his work on 12 Years a Slave. Even if there is still-simmering resentment between him and the film’s director Steve McQueen, taking home that Oscar, and the film’s own Best Picture win, have to have him feeling pretty good.
Ridley has his own directorial debut coming to theaters this year. All Is By My Side chronicles an early year in the career of Jimi Hendrix, picking up where the guitarist was “discovered” in a club by Linda Keith. The film follows Hendrix as he goes to London and assembles his first major band, the Jimi Hendrix Experience, and prepares to play the Monterey Pop Festival.
We haven’t seen a trailer, but below you can see a clip of one scene, in which we see Andre Benjamin as Jimi Hendrix, in a dramatic moment with Linda Keith (Imogen Poots) during a conversation before he heads to Monterey. Read More »
Posted on Thursday, January 30th, 2014 by Angie Han
In the end credits of That Awkward Moment, we’re treated to a blooper reel. The footage is typically goofy stuff — stars flubbing lines, knocking over props, cracking dirty jokes, and generally getting silly — but it’s a pleasure to watch because the actors are so damn fun. Zac Efron, Miles Teller, and Michael B. Jordan come across as warm and funny people, and the rapport between them is inviting. I can only imagine that the set must have been a blast.
The film itself, however, is not. Although the premise should, in theory, provide plenty of opportunities for sparks to fly and for the cast’s magnetic personalities to shine through, as they do in the blooper reel, writer/director Tom Gormican seems more interested in shoving the characters along predictable plotlines. The result is a tedious romantic comedy that can’t sell the romance, the comedy, or even the bromance.
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