Motion capture is quite the filmmaking tool these days. It takes us to new and extraordinary worlds of fantasy and adventure, introducing us to characters we thought the world of movies could never allow us to meet. So in celebration of War for the Planet of the Apes, let’s explore some incredible protagonists and antagonists who proved how amazing mo-cap can be. From beasts to aliens to even regular humans, this tech allows actors to become just about anything.
Posted on Wednesday, January 12th, 2011 by Germain Lussier
With today’s DVR culture, product placement is becoming more and more prevalent. The only way for advertisers to get eyeballs on their products, since we fast-forward through the commercials, is for those products to actually be in the shows. It’s a fact of life and it can be infuriating. And when it happens in a movie, it can be even more infuriating. But also, sometimes, hilarious.
Filmdrunk has gone through some of your favorite, and least favorite, movies to find a bunch of the most ridiculously obvious instances of product placement and mashed it up all into one, nice little video. They even classed it up with some facts about the history of product placement in movies. For example, did you know that Fatty Arbuckle is credited with the first instance of product placement? Or that Michael Bay is the current king of it? Combining education, humor, and Nintendo’s Power Glove (“It’s so bad”), you’ve gotta check this out. Read More »
Posted on Friday, November 6th, 2009 by Hunter Stephenson
Nationwide, Juggalos are already boycotting in parking lots, in addition to breeding. Eminem, the 37-year-old adolescent rapper, will follow up his $116 million grossing fictionalized biopic, 8 Mile, from 2002 with a 3D anthology horror movie horrifically entitled Shady Talez. The project has kicked around for a while, and is now part of a synergy package that includes a same-named four-issue comic book series due 2010 from Marvel Icons. The above image comes from that. Slim Shady will produce and star in multiple roles in the film, which will give an “urban wink” to genre classics such “as Christine, Aliens, and The Lost Boys“ in the style of George Romero’s Creepshow. What, no characteristic ode to Irreversible or Twisted Nerve?
Posted on Wednesday, March 11th, 2009 by Brendon Connelly
There’s a whole lot of Alex Proyas around the web at the moment, what with the imminent release of Knowing. Of course, Mr. Proyas himself is blogging here on /Film, which gives him a direct route to you, like a syringe to your brain, but he’s also being quoted here, there and everywhere. Some fascinating possibilities are being dug up, as well as the odd BIG RED SIGN of priceless advice for all filmmakers, up and coming or otherwise.