Christopher Nolan‘s highly-anticipated Dunkirk apparently isn’t a war movie, but it shares at least one thing in common with Matt Reeves‘ War For the Planet of the Apes: they both have songs from their soundtracks available to listen to right now.
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“The score is the heartbeat of the film.” So says James Cameron, an Oscar-winning director who has worked with some of the greatest composers in film history, and he couldn’t be more right. A big part of why we remember the most iconic scenes in cinema is because of the score that plays along with the visuals. Some movies are even known without visuals simply because they have a theme that is so unforgettable.
A new film called Score: A Film Music Documentary from director Matt Schrader dives into what makes motion pictures scores so powerful by speaking to the best composers in the business. John Williams, Danny Elfman, Hans Zimmer, Jerry Goldsmith, Howard Shore, Alexandre Desplat and more all talk about motion picture scores, how important they are to the medium, and how much they love the work of their colleagues.
Watch the Score: A Film Music Documentary trailer below. Read More »
Trailers are an under-appreciated art form insofar that many times they’re seen as vehicles for showing footage, explaining films away, or showing their hand about what moviegoers can expect. Foreign, domestic, independent, big budget: What better way to hone your skills as a thoughtful moviegoer than by deconstructing these little pieces of advertising? This week we hold our breath until we turn blue, get snatched while trying to get home, try to make something of ourselves, talk movie scores with film’s best and brightest, and get a real lesson in slave labor. Read More »
Though I’m personally more fond of the Batman theme that was composed by Danny Elfman for Tim Burton’s adaptation of DC Comics’ Caped Crusader, there’s no denying Hans Zimmer wrote some incredible music for The Dark Knight trilogy. In fact, the music that Hans Zimmer has composed for all of his collaborations with Christopher Nolan have been rather influential on other film score composers, prompting plenty of imitation.
Fans attending Coachella this year were treated to a special performance by composer Hans Zimmer, complete with a full orchestra and some other choice instruments in an assembly of several medleys from his various soundtracks. We’ve already highlighted his showcase of Inception, and now you can watch and listen to The Dark Knight performance too.
Watch as Hans Zimmer performs The Dark Knight live at Coachella 2017 below. Read More »
2017’s Coachella music festival is under way in Southern California, and while attendees may have flocked to the desert to seek out shows from Kendrick Lamar and Lady Gaga, one of the festival’s acts that might be of more immediate interest to a film-loving community like /Film’s is composer Hans Zimmer.
Last night, Zimmer took the stage with his orchestra and delivered an impressive rendition of songs from Christopher Nolan’s Inception, and you don’t even have to brave the heat to see it. Check out the Hans Zimmer Coachella video below.
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If you want to learn about composing movie music, why not go to one of the masters? The opportunity to take a class from Hans Zimmer is now only a few clicks away. The man behind the scores for The Thin Red Line, Inception, Thelma & Louse, and other favorites is now available to teach movie fans a thing or two about his job, as he’s now another one of MasterClass’ great teachers.
Zimmer, whose work has excited and moved us throughout his varied career, is often seen in his workspace in the MasterClass, explaining the nuts and bolts of the process, sometimes showing us what isn’t always easy to communicate in words. We recently spoke with the composer about having to explain instinct, taking a closer look at his work, and memories of working with Terrence Malick, Christopher Nolan, and Ridley Scott.
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After Hans Zimmer completed his work on Batman v Superman: Dawn of Justice, he shared the news that he was no longer scoring comic book movies. “[Batman v Superman] was very hard for me to do, to try to find new language,” he told BBC Hardtalk. “I did Batman Begins with Chris [Nolan] 12 years ago, so The Dark Knight trilogy might be three movies to you; to me, it was 11 years of my life.” A part of the reason why he might’ve struggled to find a new language is because, during those 11 years, he was inspired by what Christian Bale brought to Batman.
Below, learn more about why we won’t have the pleasure of experiencing more Hans Zimmer Batman scores.
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Posted on Wednesday, March 30th, 2016 by Angie Han
Superheroes are forever. Even the ones that don’t count immortality among their special powers have a way of surviving, provided they’re popular enough that it makes more financial sense to resurrect them than to let them stay dead. But the humans behind superheroes are not forever, and even as these characters’ stories continue on and on for decades, the people helping to tell those tales will come and go.
All of which brings us to two stories today of two comic book movie staples who seem ready to move on. In the DC corner, composer Hans Zimmer says he’s done with superhero scores after Batman v Superman: Dawn of Justice, while over in Marvel-land, Tom Hiddleston suggests Thor: Ragnarok could be the end of the line for fan-favorite villain Loki. Read More »
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Batman v Superman: Dawn of Justice hits theaters this Friday, an event film that my 10-year-old self wanted but could never have imagined would actually happen. So what did I think of the movie? What did I like? What did I have problems with? After the jump you can read my spoiler-free reaction to the film. So if you’ve seen the trailers, feel free to proceed without any worry of plot points, twists, or reveals being spoiled.
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Hans Zimmer scoring Dunkirk for Christopher Nolan is probably the least surprising news you’ve read all week.
Although the never-not-ambitious director of The Dark Knight and Interstellar is venturing outside of his comfort zone for the upcoming World War II drama, he’s surrounding himself with familiar faces and frequent collaborators. Inception and The Dark Knight Rises star Tom Hardy will act in the film. Editor Lee Smith, who has been cutting Nolan’s films since Batman Begins, is on board. Warner Bros. will foot the bill, just as they have for the majority of Nolan’s projects so far. So of course Zimmer, whose propulsive and bombastic music lent tension and urgency to five previous Nolan movies, is reporting for duty.
And yes, he’s certainly going to slip a dramatic “BRAAAHHM!” or two into this score.
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