When last we spoke of Paul Schrader‘s next film, Nine Men from Now, Schrader was hoping that his First Reformed star Ethan Hawke would star alongside Willem Dafoe. Now, Schrader has an update. The film is still happening, but sadly, Hawke is out. But Schrader does have a fun new description of the film: a Western that plays out as if Terrence Malick and David Lynch came in and took a shit on the script. Who wouldn’t want to see that?
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Paul Schrader has never gone away, but his career is encountering a sudden upswing thanks to his acclaimed 2018 film First Reformed. So what’s next for Schrader? According to the man himself, he wants to make a Western called Nine Men from Now, and he hopes Ethan Hawke and Willem Dafoe will star. Those details alone are enough to pique my interest.
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The 28th annual Gotham Awards took place last night, offering our first glimpse at a major awards show as we barrel toward the next Academy Awards ceremony. The Gotham Awards focus on independent movies, but plenty of previous winners have gone on to take home Oscar gold (Get Out and Call Me By Your Name were big winners last year).
This year, Chloe Zhao’s western drama The Rider took home the Best Feature prize in a highly competitive category, and Toni Collette and Ethan Hawke won in the lead acting categories for their stunning work in Hereditary and First Reformed, respectively. Eighth Grade also won big, earning trophies for actress Elsie Fisher and director Bo Burnham. Read the full list of winners below. Read More »
Even without taking into account his 30-plus-year acting career—highlighted by performances in Dead Poets Society, Reality Bites, Training Day, and Richard Linklater’s Before trilogy—Ethan Hawke has had a hell of a 2018, which technically began a year ago at the Venice Film Festival), where writer-director Paul Schrader’s First Reformed premiered, featuring a career-best performance from Hawke. The film wasn’t officially released until May 2018, and just recently came out on home video.
Currently, Hawke has two more films making their way across the country in limited release, both of which debuted at the year’s Sundance Film Festival—one he stars in (Juliet, Naked) and one he directed (Blaze). (We could also throw in his extensive interview about Elvis Presley’s flawed acting career in director Eugene Jarecki’s documentary The King, which came out earlier this summer.) Produced by Judd Apatow and directed by Jesse Peretz, Juliet, Naked is the story of a British woman (Rose Byrne) whose boyfriend (Chris O’Dowd) is obsessed with a reclusive singer who had one of the great broken-heart records decades earlier. When Bryne’s character lashes out at a record label releasing demos for said record as being a lame cash grab, the long-silent musician (Hawke) writes her an email confirming her suspicions, and the two begin an online correspondence that has the potential for something more, if for no other reason than it drags him out of hiding. Based on the novel by Nick Hornby, the film is charming, funny and gives Hawke the chance to use images of himself from younger days in very amusing ways.
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The summer of Ethan Hawke continues with Juliet, Naked.
Just three months after he played a morose preacher in First Reformed, Hawke is remind us of how much range he has by stepping back into his romantic-comedy leading man shoes. Hawke stars as an aging rock star who romances Rose Byrne, a woman who finds herself at a crossroads after spontaneously publishing a scathing music review. Read More »
I’ve never heard of Blaze Foley, and perhaps you haven’t either. If that’s the case, Ethan Hawke wants to remedy that with his new film Blaze. Hawke helms the new drama which examines the life of the late country music singer-songwriter, who died in 1989. Watch the Blaze trailer below.
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In the era of the flashy McConaissance and the Keanussance, second acts are all the rage in Hollywood. But while no one has dubbed Ethan Hawke one of these Renaissance Men, Hawke has been quietly building one of the most interesting second acts in Hollywood.
After a brief brush with leading man roles in the ’90s and early 2000s, Hawke settled into a career of indie films aided by his inextricable connection to Richard Linklater’s Before trilogy. Then came a curious pivot to horror. In 2012, Hawke starred in the Blumhouse production Sinister, a critically acclaimed SXSW favorite that would help aid Blumhouse’s rise from low-budget indie studio to today’s go-to horror company. Now, Hawke is teaming up with Blumhouse again, but this time for a small-screen adaptation of The Good Lord Bird.
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Stockholm syndrome has inherently horrifying roots: Victims of kidnappings, hostage situations, and other dangerous situations somehow develop feelings of sympathy, maybe even affection, for their captors. But that doesn’t mean that a feature film adaptation of the 1973 bank robbery that originated the term can’t be outright hilarious.
Stockholm, which premiered at the Tribeca Film Festival on April 19, feels like such an irreverent black comedy that you wouldn’t expect it to be based on real-life events. But its stranger-than-fiction premise only serves to heighten everything — the emotions, the absurdity, and the sympathy for its central robber played with a zany, unhinged verve by the scene-stealing Ethan Hawke.
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A24 has become one of those names that always has your attention. We sometimes don’t hear about their movies much until the trailers start rolling in, and then we’re totally on board. And that’s exactly how we feel about their forthcoming release from Paul Schrader, best known for writing Taxi Driver and directing a slew of dark and often deranged thrillers.
First Reformed follows Ethan Hawke as a priest who is becoming more and more disillusioned with humanity as his congregation dwindles and the world around him becomes more and more troubling. The clergyman suddenly finds himself taking matters into his own hands as he grows impatient waiting for God to do something. Read More »
If there’s one popular writer who knows his way around stories of shaky romance and an almost unhealthy obsession with music, it’s Nick Hornby. So it should come as no surprise that Juliet, Naked – the latest film adaptation from the author of the source material behind High Fidelity and About A Boy – is replete with heartbreak, missed romantic opportunities, longing for connection and more in-depth analysis of music than you could ever want or need. More specifically, the music in question come from fictional ’90s musician Tucker Crowe (Ethan Hawke), who put out one of the greatest broken-heart records of all time entitled Juliet 25 years earlier, before vanishing from public life. Read More »