(Blumhouse Television and Hulu have partnered for a monthly horror anthology series titled Into The Dark, set to release a full holiday-themed feature the first Friday of every month. Horror anthology expert Matt Donato will be tackling the series one-by-one, stacking up the entries as they become streamable.)
When outsiders generalize “horror,” most minds zip to Romero zombies or Craven icons. Slash ‘em ups or creature features. Base preconceptions hone on grotesqueries thanks to such a narrow-minded definition of the word “horror,” but February’s lovey-dovey Valentine’s Day gush sets a perfect stage for broadening how novices view genre content. As I’ve once argued here on /Film, love is the secret ingredient when it comes to horror. Into The Dark’s Down accepts the task of dipping Cupid’s arrow into venomous toxins, stripping away Hollywood meet-cute hallmarks for a sickening display of blind dating gone psychopathic.
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Posted on Wednesday, November 1st, 2017 by Rob Hunter
(Welcome to The Best Movies You’ve Never Seen, a series that takes a look at slightly more obscure, under-the-radar, or simply under-appreciated movies. In this edition, we take a look at some of the best American remakes you’ve probably never seen.)
Remakes are typically derided from the moment they’re announced, and I’d be lying if I suggested the response wasn’t well-earned by decades of lazy reboots churned out of the Hollywood machine. The odds of a remake being fairly worthless seems to double when the original is a foreign film for some reason, but that hasn’t stopped several American films from managing the unexpected and actually matching the original. From The Ring to Let Me In, from Scent of a Woman to The Birdcage, from Sorcerer to Twelve Monkeys, there are good to great remakes out there.
Of course, I just named most of the great ones right there. Lucky for you, as is my goal with this column, I’m here to point to a handful of great American remakes that, for various reasons, aren’t nearly as well known as the likes of The Departed or True Lies. As a point of clarity, I’m calling these remakes as each of them hit the screen in previous foreign-language films, but some of them are also based on initial source novels. Details shmetails. Onward!
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