“When did this movie start?” asks a modern-day Jim Carrey to director Chris Smith. It’s the start of what we know as Jim and Andy: The Great Beyond – With a Very Special, Contractually Obligated Mention of Tony Clifton. It’s also probably one of the more normal things Carrey says or does throughout the documentary, a work presenting unreleased footage shot by Carrey behind the scenes of his Andy Kaufman biopic Man on the Moon.
Read our Jim and Andy: The Great Beyond review from TIFF below. Read More »
Update: If Jim & Andy: The Great Beyond – The Story of Jim Carrey & Andy Kaufman Featuring a Very Special, Contractually Obligated Mention of Tony Clifton sounds like something you want to see, you’re in luck. Netflix has officially picked up the film. No release date has been set. Our original article follows below.
As a die-hard stand-up comedy nerd, one of my favorite movies is Man on the Moon. The 1999 biopic about famous, controversial and genius comedian Andy Kaufman starred Jim Carrey in the lead role, and his work on the movie is very well known due to the length that he went to in order to stay in character.
We hear about method acting from actors occasionally, with talents like Daniel Day-Lewis investing themselves so deeply into a character that they maintain the illusion of that performance between takes on set, sometimes even when they’re completely away from the production, all in an effort to give the most authentic portrayal possible. That’s exactly what Jim Carrey did while working on Man on the Moon, and a new documentary that premiered at the Venice Film Festival explores the “psychotic” lengths to which the actor went to stay in character. Read More »
The horror anthology The ABCs of Death, inspired in part by early kids’ books and bearing a real resemblance to Edward Gorey’s The Gashlycrumb Tinies, is a who’s-who of current horror and genre stars and up and comers. The film will be divided into twenty-six segments in which a letter of the alphabet corresponds to a method of death. The segments will be short, but given that they’ll be directed by people like Nacho Vigalondo, Jason Eisener, Noburo Iguchi and many more, they might pack a punch.
Two more directors were added to the list today, bringing the total number of signees to twenty-five. Xavier Gens (Frontier(s), Hitman) and Christopher Smith (Severance, Triangle, Black Death) are now on the roster. Details of a contest to choose the final director are after the break. Read More »
Bill Murray recently offered the following skepticism at a press junket, “I saw a guy talking about the end of the world a couple of years ago, and I haven’t seen that either.” Many notable critics feel that the new documentary entitled Collapse, from the well-regarded director behind American Movie and The Yes Men, more or less informs the world, Murray included, that the end in the form of total economic collapse is once again near. “No, this time it is. Really.” Based on surface impressions, Collapse‘s message sounds not unlike Michael Moore’s recent Capitalism: A Love Story, which is a turn off, considering that it’s rather obvious things are currently effed in America (the job market, health care, pundit-hungry media, two aimless “wars,” startling deficit, for starters). One need not prescribe to “doomist” theorizing in order to wave a frightened fist online, though multi-thousands do on a daily basis. But what separates Collapse from Capitalism is the man professing the nation’s and world’s anxiety-addled, certain doom: Michael Ruppert.
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The 10th anniversary Frightfest is underway in London, and for once I’m not in the cheap seats. Ladies and gentlemen – I think I have finally arrived. The atmosphere in the virtually packed out Empire Leicester Square has been electric – buzzing like a chainsaw, even. Weekend pass holders abound, a genuine spirit of camaraderie prevails and there’s already a good vibe passing back and forth amongst us that we’re in for the best Frightfest yet.
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DreamWorks Animation has announced plans to release five feature films every two years, up from their previous two films a year schedule. The company cites their “three very successful franchises” as one of the reasons to produce an extra film every other year. Apparently the plan is to release one or two sequels a year, as well as an original project, all of which will be produced in digital 3D. Check out the full schedule after the jump.
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