Posted on Tuesday, September 25th, 2018 by Siddhant Adlakha
When Marvel was eyeing Chloé Zhao to direct Black Widow back in April (among others like Amma Asante and Deniz Gamze Ergüven; the job eventually went to Cate Shortland), the pairing seemed like a long-shot. A unique voice like Zhao’s doesn’t immediately seem like it would gel with the Hollywood studio system. We’ve seen Edgar Wrights and Lord & Millers a-plenty — Ant-Man and Solo would go on to be directed by Peyton Reed and Ron Howard respectively — but on the other hand, Disney’s own recent efforts like Black Panther (Ryan Coogler) and Star Wars: The Last Jedi (Rian Johnson), which both fit the mold of blockbuster filmmaking while allowing their creators a personal stamp, make speculating from this side of the studio gates a fool’s errand.
When it was announced on Friday that Zhao would not only be tasked with a Marvel movie, but with cosmic opera The Eternals of all things, reactions were understandably mixed. Some were enthusiastic, while others lamented a distinct eye being lost to the Marvel machine (this writer is optimistic, albeit cautiously) because alas, speculation is all we have in this 24×7 Disney-dominated news cycle. One can hardly begrudge anyone their extreme responses — for every Patty Jenkins leaving Thor: The Dark World due to creative differences, there’s Patty Jenkins knocking Wonder Woman out of the park and negotiation a seven-figure salary on the sequel — so the best we can do is look at the what’s what and the who’s who and hope for the best behind-the-scenes. Every creative partnership is different, after all. Read More »