We just saw a trailer this week for Lars Von Trier‘s new film Melancholia, which will premiere in competition at Cannes this May. We still don’t know too much about the film — he famously proclaimed “no more happy endings!” when announcing it, and there is a basic sci-fi concept wrapped around a family drama and some sort of existential crisis for the main character, played by Kirsten Dunst.
Now Lars Trier has dropped a few tidbits about the film to Empire, and those who can’t wait for Magnolia to set a US release date for the film should hit the jump to enjoy the scant new bits of info. Read More »
The best thing I could possibly find on the web this Friday morning is the new website for Lars Von Trier‘s upcoming film, Melancholia, complete with the first trailer for the movie. Though the story is (kind of) about the end of the world, the slightly not safe for work trailer (there is a little bit of nudity) is actually almost gentle in places.
The clip briefly charts the upcoming wedding of the younger of two sisters, played by Kirsten Dunst, looking effectively pensive and anxious. But seemingly coinciding with the ceremony is the emergence of a planet that was previously ‘hiding behind the sun’ and is now on a collision course with Earth. What follows appears to be very much the product of Lars Von Trier, but perhaps not quite the Von Trier of Antichrist. I thought he said ‘no more happy endings’? Read More »
Terry George, who wrote and directed Hotel Rwanda and Reservation Road and wrote In the Name of the Father, has roped in Brendan Fraser to star in the comedy heist film Whole Lotta Sole. The film is written by Mr. George and Thomas Gallagher, and follows “a young man robbing a fish shop in order to pay off a gambling debt; the heist goes terribly — and humorously — awry when it turns into a hostage situation.” Yep: robbing a fish shop.
Brendan Fraser is not the young man; he’s the shopkeeper. (But he is trying to elude his father in law, a gangster.) He can be a solid actor, when not being called upon to mug and grimace in family adventures. No idea how this one will turn out, but we’ll keep a lookout for the actors chosen to play the robber and gangster father in law. [Variety]
After the break, Clifton Collins, Jr. faces the supernatural and Hayley Atwell books an odd gig. Read More »
Lars Von Trier created no small amount of controversy with his last film, Antichrist, which chronicled the breakdown of a relationship in explicit, mind-bending fashion. So he raised eyebrows when he pronounced ‘no more happy endings!’ for his next picture, Melancholia, which also expands his canvas from the destruction of a couple’s relations to the utter destruction of the Earth.
Melancholia stars Kirsten Dunst, Charlotte Gainsbourg, Kiefer Sutherland, Charlotte Rampling, John Hurt, Alexander Skarsgård, Stellan Skarsgård and Udo Kier, and explores the responses of two different women (played by Dunst and Gainsbourg) to the impending end of the world. And now the film, which is still being finished, will be distributed in the US by Magnolia. Read More »
A lot of you probably might not recognize Mark Romanek‘s name, but you’ve almost certainly seen his work. He was probably one of the best music video directors to come out of the 1990’s. His videos have included Nine Inch Nails’ “Closer”, “Scream” – Michael Jackson’s grammy award winning collaboration with sister Janet Jackson (at $7 million, it might forever hold the title as the most expensive music video ever made), Janet Jackson’s “Got ‘Til It’s Gone”, Johnny Cash’s gut-wrenching cover of Nine Inch Nails’ “Hurt”, En Vogue’s “Free Your Mind”, Lenny Kravitz’s “Are You Gonna Go My Way”, Beck’s “Devil’s Haircut”, Jay-Z’s “99 Problems” and Fiona Apple’s “Criminal”.
His 2002 feature film One Hour Photo is probably best known for Robin Williams’ dramatic turn. While the film is beloved by cinephiles, it pretty much went under the radar of mainstream audiences. It did however gain Romanek a lot of the respect in the movie industry. His follow-up, a big screen adaptation of Kazuo Ishiguro‘s novel Never Let Me Go, premiered at the 37th Telluride Film Festival. The book was named one of TIME’s 100 Best Novels (from 1923 to the Present), featured on many top ten books of 2005 lists, and a finalist in the National Book Critic Circle Award.
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This is more like it. The visual marketing for Never Let Me Go, Mark Romanek‘s adaptation of the Kazuo Ishiguro novel, has been represented by a primary one-sheet which is pretty, but maybe not quite right. This trio of new character posters is a lot better. Still a beautiful look at the film, but a lot more unusual than the first poster. See each in greater detail after the break. Read More »
Fox Searchlight has released a batch of new production photos for Mark Romanek‘s big screen adaptation of Kazuo Ishiguro‘s novel Never Let Me Go. The book was named one of TIME’s 100 Best Novels (from 1923 to the Present), featured on many top ten books of 2005 lists, and a finalist in the National Book Critic Circle Award. For those interested, you can buy the softcover for only $11.20 on Amazon.
Beach author and 28 Days Later/Sunshine screenwriter Alex Garland penned the adaptation for the dramatic thriller, about a group of children who spent their childhood at a seemingly idyllic English boarding school, who as they “grow into young adults, they find that they have to come to terms with the strength of the love they feel for each other, while preparing themselves for the haunting reality that awaits them.” The film stars Carey Mulligan, Keira Knightley, Andrew Garfield, Charlotte Rampling, Sally Hawkins, Nathalie Richard, and Andrea Riseborough. Watch the trailer here. Hit the jump to see the new photos.
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Briefly: The BFI London Film Festival is getting a little bigger every year. Last year it was given a push when Wes Anderson’s Fantastic Mr. Fox debuted at the fest. This year, the festival will open on October 13 with the European premiere of Mark Romanek‘s new film Never Let Me Go, which adapts the novel of the same name by Kazuo Ishiguro.
That isn’t the film’s world premiere, as it will first bow at the Toronto International Film Festival, but it’s a good booking for the London fest regardless. Doesn’t hurt that there’s a lot of British talent on board, among them screenwriter Alex Garland and cast Andrew Garfield, Carey Mulligan and Keira Knightley. (The film will already be open in the US by the time of this showing; it hits Stateside screens on September 15, right after the TIFF premiere.)
There’s a solid if low-key buzz on the film, which looks like a lush, smart take on Ishiguro’s novel, even if some of the marketing might be trying to trick us into thinking it’s a bit more overtly sci-fi than the film likely is. Regardless, can’t wait to see this one; check out the trailer if you haven’t already.
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We’ve known very little about Melancholia, the next film from Lars Von Trier and the follow-up to his festival firebrand Antichrist. He’s promised “no more happy endings” and the film has been called a “psychological disaster movie,” but beyond that we’ve had almost nothing to go on.
Melancholia recently began production, and Trier held a press conference to mark the occasion. While he stopped short of handing out copies of the script to the audience, the director did give out a few details. Read More »
I hadn’t seen a proper projection of the trailer for Mark Romanek‘s new film, Never Let Me Go, until I sat through the Trailer Park exhibition in Hall H at the San Diego Comic Con. Talk about weird — Romanek’s very quiet movie was sandwiched in between a lot of big-ticket films, and the contrast was pretty striking. (Plus, it was amusing to hear nearly the entire hall whisper ‘that’s the new Spider-Man,’ not when Andrew Garfield‘s face was shown, but when his credit was written on screen.)
Now there’s a new poster for the film, and the image captures some of the idea of hope and escape that permeates the latter half of the trailer. Read More »