Briefly: We don’t currently know much about the Confidential Alien Project (that’s a placeholder title) outside of the fact that it will be a Paramount film and that new writer Bobby Glickert has sold an alien-themed pitch to Platinum Dunes producers Michael Bay, Brad Fuller and Andrew Form. THR says the plot involves ‘alien abductions,’ and that, despite writing the treatment and assembling a two minute trailer that helped sell the pitch, Glickert won’t write. Another screenwriter will be hired instead. Glickert will direct.
In theory, I love this idea, because Paramount has the film set up as a low-budget affair. Deadline says the budget is planned for about $12m. The studio has done well with low-budget stuff already (Cloverfield, Paranormal Activity) and has the J.J. Abrams film Super 8 coming up. But two of the three projects I just mentioned have J.J. Abrams as a factor, and Platinum Dunes is no Abrams. I would like to know more about Bobby Glickert, however, as he’s gone from PAing on Transformers and helming some shorts to this deal. That’s a heck of a rise, so maybe there’s something special there.
Do you like your Teenage Mutant Ninja Turtles ultra-gritty, ‘realistic’ and with a lot of violence, but without a lot of particularly interesting violence? Then you’re in luck! Paramount became the new home for TMNT last year when Nickelodeon paid $60m for global rights to the characters, and the studio has now handed the development of a new feature film over to Michael Bay‘s Platinum Dunes. Read More »
In 2008, we heard that Platinum Dunes had the option to make a film based on the classic slumber party and devil-summoning game Ouija Board, with few details beyond the assertion that it wouldn’t be like Jumanji. Now, as the release date approaches for the latest Dunes movie, A Nightmare on Elm Street, producer Brad Fuller is talking about some of the company’s future projects. Among them is Ouija.
His comments after the break, along with a super-brief update on The Monster Squad and The Birds. Read More »
Back in June, I has a chance to visit the set of Platinum Dunes remake of A Nightmare on Elm Street with a group of online journalists. This week we will be publishing the interviews we conducted on the set of the movie. After the jump you can read our extensive interview with Platinum Dunes producers Brad Fuller and Andrew Form.
As the head executives of Michael Bay’s genre production company, Fuller and Form have produced The Texas Chainsaw Massacre 2003 remake, and 2006 prequel The Texas Chainsaw Massacre: The Beginning, as well as The Amityville Horror 2005 remake, The Hitcher, Horsemen, The Unborn, and the Friday the 13th 2009 remake.
We caught up with Brad and “Drew” in a little roundtable interview area off to the side of the set. Read the full interview after the jump.
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On Thursday June 25th, I had the oppurtunity to visit the set of Platinum Dunes’ remake/re-imagining of A Nightmare on Elm Street.
With a Comic Con panel scheduled for later this week, Warner Bros has given us the green light to post a short preview piece, giving you a no-so-detailed tease of some of the stuff we saw, and our impressions. As you must know by now, instead of writing up a boring block of text, I’ve instead opted to record a short video blog with Frosty from Collider, who also visited the Chicago set.
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The notion of remaking Alfred Hitchcock‘s The Birds was absurd from day one, and now the Platinum Dunes guys are suggesting they’ve started to see the light. “We lay ourselves out there and get annihilated out there online all day long,” said producer Brad Fuller during a chat with journos on the set of A Nightmare on Elm St., “and [The Birds] just opens us up to a whole different level of annihilation.” What’s the conclusion? “…it doesn’t feel like that’s up next for us.” More pecking around the corpse of The Birds and the (still?) planned Rosemary’s Baby re-do after the jump. Read More »
Update: /Film commenter, Infrafan, points out that a “snowbound” setting opens up the following scenario: Jason finds himself on a frozen lake. Jason then “plays hockey” with the decapitated head of an AXE body spray model or a fake breast. Knowing Platinum Dunes, we could actually see this happening.
Even though last February’s Friday the 13th opened to $44 million domestic but failed to crack the $100m milestone due to underwhelming word-of-mouth and stunted effort to make a definitive and fun entry, Platinum Dunes made a killing on the $16 million budget. Semi-good news: The horror company’s go-to director Marcus Nispel will not be back for the previously announced sequel. Uber-bad news: Unfortunately, Nispel will take his exhausted MTV-metallic sheen and ridiculously back-lit atmospherics to Conan instead. Ryan Rotten at STYD spoke recently with PD producer, Brad Fuller, who felt the need to fess up to fans’ criticisms of the first film and reveal the “hook” for the sequel.
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Posted on Friday, February 13th, 2009 by David Chen
I’m of the opinion that the horror/slasher movie remakes we’ve seen in recent years aren’t categorically a bad idea. Perhaps it’s because the originals aren’t terribly sacred to me but I’m actually mildly fascinated by the creative process that goes with unearthing old or foreign properties like The Hills Have Eyes or The Texas Chainsaw Massacre, then modernizing them by adding intricate set design & art direction, moody music-video-style lighting, and some heavily stylized filmmaking. But while some horror remakes have done all these things and also gone on to deliver thought-provoking and gut-wrenching cinema, others put in only enough effort to coast on the reputation of their predecessors. Which category does Marcus Nispel’s new Friday the 13th fall under?
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Posted on Monday, February 2nd, 2009 by David Chen
For everyone out there who has ever participated in a late-night slumber party, examined the Ouija board game during an intense sharing session, and thought to themselves “This board game could be the basis for a kickass movie,” I have two things to say: 1) What on earth is wrong with you? and 2) Good news! Although we first reported on a Ouija-based film way back in May 2008, Producer Brad Fuller recently informed Sci Fi Wire that he’s very close to hiring a “very high-level” writer to draft a script for Platinum Dunes’ Ouija-themed film. While promoting Friday the 13th, Fuller explained, “I don’t think we’ve closed the deal, so I can’t say, but we’ve got a very high-level writer to write that, and we start writing it, I think, within the month.”
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While at Comic Con, I got the opportunity to sit down and talk one-on-one with Friday the 13th producers Andrew Form and Brad Fuller, both of whom were nice enough to give me the lowdown as to what stage of production their other upcoming remakes are currently at.
Here’s what they said about each…
The Birds – “Martin Campbell is going to be directing that. Naomi Watts has said that she wants to star in the movie. We have a treatment that we’re submitting to the studio in the next week or so. And if they sign off on that treatment, we’ll go to script, and hopefully we’ll have a script that’s shootable next summer.”
Nightmare on Elm Street – “We don’t have a deal to do that yet. We’re hoping that will happen soon. But as of today, we don’t have a deal. New Line hired a writer, Wesley Strick, to start writing it. And we have nothing to do with it except maybe ask them to hire us.”
“We’re close. A deal’s being set.”
Rosemary’s Baby – “We’re in the process of hiring a writer, to kind of update that movie. That’s the next movie that we’re making with Paramount Studios.”
For those that don’t know, Martin Campbell is the director of Casino Royale, so as far as I’m concerned, a remake of The Birds might very likely be excellent. That doesn’t necessarily mean it should be made, but I definitely have more faith in it than these other two potential projects. I can at least see a new version of The Birds existing without detracting from the original, but attempting to remake Rosemary’s Baby just seems beyond pointless. And it’s kind of hard to have any high hopes for Nightmare on Elm Street when the only name connected to it as of now is Wesley Strick, the screenwriter for The Glass House and Doom.