Ant-Man and the Fly Trailer

The Morning Watch is a recurring feature that highlights a handful of noteworthy videos from around the web. They could be video essays, fanmade productions, featurettes, short films, hilarious sketches, or just anything that has to do with our favorite movies and TV shows.

In this edition, examine Wes Anderson‘s first film Bottle Rocket to see hints of what style his future films would bring. Plus, watch a trailer mash-up of Ant-Man and The Fly to give us a new kind of Marvel movie, and watch an hour-long genre roundtable with the executive producers of shows like Westworld, Jessica Jones, Stranger Things, Black Lighting, Legion and more. Read More »

Wes Anderson Honest Trailer

As loyal cinephiles, we love the work of Wes Anderson. While you’d be hard-pressed to say that Wes Anderson has grown as a filmmaker throughout his career, you can’t deny that he has a style all his own that has connected with a particular audience. You can call them hipsters, or you can call them craft beer enthusiasts, or whatever you want, but we’re note going to judge anyone’s love of Wes Anderson.

Now the director behind movies such as The Royal Tenenbaums, Moonrise Kingdom and The Grand Budapest Hotel is taking some jabs from the folks at Honest Trailers. And just as we said before, Wes Anderson hasn’t really evolved much as a director, and that’s why this edition of Honest Trailers takes aim at all of the filmmaker’s movies. Read More »

/Answers: The Greatest Movie Heists

Logan Lucky photo

Every week in /Answers, we attempt to answer a new pop culture-related question. Tying in with the upcoming release of Logan Lucky, this week’s edition asks “What is your favorite movie heist scene or sequence?”

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Why We Go To The Sundance Film Festival

Sundance Marquee

NOTE: We ran this article in 2011, 2012, 2013, 2014 and have updated it for 2015.

The Sundance Film Festival is the best known film festival in the United States. Say the word “Sundance” to anyone, film lover or not, and chances are they’ve heard of the festival. As a movie blog though, the problem with covering Sundance is that virtually all of the movies are brand new. We haven’t heard of them, you haven’t heard of them, so why would you even care about them?

More than any of the casting news, trailers or film stills that we post on a daily basis, what happens in that small corner of Utah for a little over a week in January is probably the most important movie event of the year. Even so, talk to the most seasoned movie fan and they don’t spend half as much time focusing on what’s going on at Sundance as they do bitching about movies that came out three years ago. Plain and simple, the best films that you will see in theaters for the next 12 months are being shown at Sundance over the next week and a half. And while you probably haven’t heard of them in January, you’ll definitely have heard of them by December. Don’t you want in on the ground floor?

For the next 7 days myself, Russ Fischer and Peter Sciretta will be in Park City, Utah at the Sundance Film Festival. And while you might not be eager to click and read about a movie you haven’t heard of yet, we urge you to do so. Some of the films that people hadn’t heard of when they played Sundance in the past are films like Saw, The Blair Witch Project, Donnie Darko, 28 Days Later, Napoleon Dynamite, Memento, Bottle Rocket, Clerks, Reservoir Dogs and The Usual Suspects. Think of all the movies that have been made since because filmmakers like Christopher Nolan, Wes Anderson, Kevin Smith, Quentin Tarantino and Bryan Singer broke out at the Sundance Film Festival. Who is the breakout star this year? You’ll have to follow our coverage to find out.

Still not convinced? We’ve compiled even more films that you know and love that got their start at Sundance after the jump. Read More »

Bottle Rocket

Earlier this month, we wrote about Matt Zoller Seitz‘s new book The Wes Anderson Collection, a book examining the work of writer/director Wes Anderson. Pulitzer Prize finalist Zokker Seitz had been following Anderson’s career since the very beginning, which begins with the short film that spawned Wes’ first feature Bottle Rocket. Matt has teamed up with editor Steven Santos to bring the book to the web in a documentary/video essay format. The first two chapters, on Bottle Rocket and Rushmore, are online and available to view after the jump.

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Cool Posts From Around the Web:

Just when you thought the Alamo Drafthouse was done with their 2011 Texas Rolling Roadshow, they’ve added one more stop and this one has a higher purpose. The Days Inn in Hillsboro, Texas was a major location in Wes Anderson‘s feature debut Bottle Rocket and it’s in danger of shutting down. So, the Drafthouse has teamed up with several partners to host a fundraising screening for the hotel on Saturday July 9 that will be paired with a limited edition poster by Rich Kelly. Read more about the event, the hotel and see the full poster after the jump. Read More »

Movie Playlist: Michael Cera’s Must See List

Which movies and television shows does Michael Cera recommend? The following comes from Intervals of Awesome:

My cousin, Harvey, randomly ran into Michael Cera at a London coffeeshoppe. Cera and Harvey hit it off and ended up having a 2 hour conversation over lunch. Cera wrote a list of stuff Harvey should see. I didn’t believe this story 100% until I got a hold of the list (which is v. good and everyone should see these films/shows) As Harvey’s most media-saavy relative, I’m helping him by lending/finding these movies/shows for him. This made his London trip.

Click over to IOA to see the full list.

via: buzz

Last year we featured Ibraheem Youssef‘s minimalistic movie posters for the films of Quentin Tarantino. The Toronto based designer/art director has returned with a new set of simple and clean poster art focusing on the films of Wes Anderson: Bottle Rocket, The Royal Tenenbaums, and The Life Aquatic. Youssef plans to complete the series with posters for Rushmore, The Darjeeling Limited and Fantastic Mr.Fox. I particularly love the poster design for Tenenbaums. Check out the designs after the jump. You can also purchase prints on the artist’s official website.

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HaHa: Tenenbaum FAIL tumblr

fail1

Imagine if FAIL Blog was a hipster blood bath sponsored by the Criterion Collection. The nascent but incredibly popular tumblr, Tenenbaum FAIL, posts abhorred photos of people dressed up like the famously stylized, overly fetishized characters from Wes Anderson‘s filmography. Crappy facsimiles of Steve Zissou and Max Fischer await. The site also accepts anonymous photo submissions. Whoever is behind this, Slashfilm likes you. A few more pics after the jump…

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Many people were surprised when King of Kong director Seth Gordon signed on to direct Four Christmases, the Vince Vaughn/Reese Witherspoon romantic comedy which comes out this Wednesday. I think everyone expected Gordon would either work within the world of documentaries or work in the realm of geek-focused films. Gordon revealed on last night’s The /Filmcast After Dark that he was gunning for the new He-Man live-action movie.

“I read a He-Man script that was really good,” Gordon said of Justin Marks’ screenplay Grayskull:  The Masters of the Universe. “It’s great. It’s pretty awesome. It’s already been snatched up… I was too slow to get to it, but its gonna be great. He-Man’s origin story? C’mon, that’s going to be great!”

This also confirms LatinoReview‘s report from last week that Kung Fu Panda co-director John Stevenson might now be attached to the project. I haven’t seen Four Christmases yet, but I hope that Gordon doesn’t become attached to too many romantic comedies. He recently got attached to a new project called Suicide Squad, which sounded to me like a losers version of Oceans 11. Gordon described the film on the podcast:

“Suicide Squad is basically like Bottle Rocket but set at the Kentucky Derby, where a bunch of misfits, barely, get away with a heist. And its about the Shenanigans that lead up to that.”

The comparison to Bottle Rocket definitely gets me excited. And if you’ve seen Wes Anderson’s debut film, then you know what I’m talking about.