Lobo is a chain-smoking, chain wearing alien bounty hunter who has very niche appeal. So it’s screenwriter Jason Fuchs‘ job to bring the character to a wider audience.
The Wonder Woman writer has his work cut out for him when it comes to writing a Lobo movie, but he won’t try to bring the character to the masses by scrapping everything that makes him, well, him. Instead, like he did with Wonder Woman, Fuchs says he will try to capture the true essence of Lobo. And that means going back to the beginning.
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UPDATE: According to three sources close to the Judge Dredd film (two are employees at Rebellion, the publishers of 2000AD, the other is Jock, responsible for the concept art at the head of this post) a draft of Alex Garland’s Judge Dredd screenplay has been shown to John Wagner, who created Dredd alongside artist Carlos Ezquerra. What isn’t clear – yet – is what feedback Wagner offered, or how that feedback has/hasn’t had an impact.
It is worth noting that many Dredd stories credited to either Alan Grant or John Wagner alone were actually written by the two of them in partnership, like some kind of reverse Lennon and McCartney.
The closest UK equivalent to Comic-Con would be the MCM Expo and I’ve been there today, looking for scoop. It’s not one half the size of San Diego’s mammoth geek Mecca (okay, not a quarter of the size, even) but it is rapidly expanding in terms of attendance figures, exhibitors and nifty special events. If you’ve got a good nose and alert ears, there’s all sort of great stuff to sniff out and tune into.
The major panel on day one saw Andy Diggle, Jock and Idris Elba taking to the stage to promote The Losers. Meanwhile, a less high profile event saw Alan Grant joining a group of comics creators in discussing multi-media crossovers such as comics adapting stories from other media, and other media leeching ideas from the comics world. What connected these two panels? Talk of DNA’s upcoming Judge Dredd movie.
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