In a wrong-person/wrong-place situation, the film glides on the chemistry between Hepburn’s naive, innocent, but capable young woman and Grant’s graceful, dead-sexy older gentleman. Despite his age, the mileage wasn’t apparent, as his real attraction, according to Pauline Kael’s “The Man From Dream City,” was Grant's curiosity about women, his desire to learn about them, and his attentiveness to their needs.