Given the limitations of a time loop storyline, Frankes felt a bit stymied until he discovered he had some creative wiggle room, saying, “stylistically, we tried different things for different scenes — and J.P. Farrell, who cut the episode — deserves a lot of the credit for making those sequences work.” Frakes also proved the old adage that necessity is the mother of invention, by finding new shots in the oft-filmed sets.