Hey, did you know Steven Spielberg is not a fan of Netflix? You should, because he’s voiced his displeasure with the streaming service several times. It’s not so much that Spielberg thinks Netflix makes bad movies. It’s that he doesn’t approve of their release model, since Netflix tends to skip theaters entirely. In the mind of Mr. Spielberg, movies that don’t play in theaters aren’t movies at all. Not content to simply grumble to himself, Spielberg is hoping to change the Academy Awards rules so that Netflix movies can’t qualify for nominations unless they play in theaters for a certain length of time.
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We’re all excited for The Irishman, but no one is more excited than the folks at Netflix. Because in the eyes of the streaming giant, Martin Scorsese‘s new gangster epic is a one-way ticket to winning a Best Picture Oscar next year. Having not scored the top award at the recent Academy Awards with Roma, a new report reveals Netflix is going all-in on positioning The Irishman as a serious Oscar contender. In fact, they might even do something they’ve never done with one of their movies before: give it a wide theatrical release.
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Tell me something boy, where were you when Lady Gaga and Bradley Cooper stole the show and stole our hearts? The co-stars of A Star is Born easily gave the best performance of the 2019 Oscars ceremony, delivering a sensual duet of Gaga’s Oscar-winning song “Shallow.” Now, you can witness the entire thing unfold in the clip below.
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Another year, another Oscars. Another Oscars, another pile of victories to celebrate…and to moan about for the next 12 months.
Yep, nothing riles up movie fans quite like the Academy Awards, which have a habit of driving cinephiles absolutely crazy and delighting them in equal measure. The 2019 edition was no different, with the ceremony rotating between “Well, that was deserved!” and “What the hell were they thinking?!” on an award-by-award basis. So let’s break it down. Here are the best and worst Oscar moments of 2019.
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Millions of eyes were on the Academy Awards last night, and even though the live broadcast of Hollywood’s biggest event doesn’t pull in as many viewers as the Super Bowl, it’s still a hot spot for advertising. While there were some TV spots for the likes of Captain Marvel, The Lion King and Rocketman, the one set of commercials that stole the show came from a collaboration between the Oscars and the watchmaker Rolex.
Rolex is one of the many sponsors and supporters of the Academy Awards, and this year they delivered a series of commercials featuring James Cameron, Martin Scorsese, Kathryn Bigelow, and Alejandro G. Iñárritu. Each of the Oscar-winning directors wrote an open letter to filmmakers of the world in order to inspire them on a journey that just might take them to the Oscars someday. Watch the Rolex Oscars commercials below. Read More »
The 91st Academy Awards aired live on ABC last night, and the ceremony went surprisingly smoothly without a host to lead the way. In fact, this might be the best way to do the Oscars from now on.
But you didn’t come here for chatter about the ceremony itself. You just want to know the 2019 Oscars winners, and those who came away with a trophy certainly made for some surprising moments, for better or worse. Green Book walked away with Best Picture, even though director Alfonso Cuarón won Best Director for his work on the Netflix movie Roma. But how the rest of the awards fall? Find out below. Read More »
This weekend brings the 91st Academy Awards to ABC, and it’s probably going to be a complete disaster. Not only is there no host for the ceremony, but The Academy of Motion Picture Arts and Sciences pissed everyone off by cutting a few awards from the live broadcast (only to reinstate them in the show). On top of that, they’ve had a real problem figuring out how the nominees for Best Original Song were going to be performed during the ceremony too.
But the Oscars are really about rewarding the greatest achievements in film from the previous year. And if we’re going to do that properly, than we need to look at each and everyone of this year’s Best Picture nominees with a new perspective. That’s where the 2019 Oscars Honest Trailer comes into play, skewering each of the eight film nominated for Hollywood’s top prize. Which one will walk away with the trophy only to get lambasted online afterwards? Read More »
With just a few days to go until this year’s Academy Awards, I’d assumed most of the chaos surrounding the ceremony was finally worked out. But it turns out there’s (at least) one more odd update left.
Despite the Academy’s efforts to include them, Kendrick Lamar and SZA will not be performing their Oscar-nominated song “All the Stars” from Black Panther during the show this Sunday night. Not only that, but the song won’t be performed at all – making it the only one of the five nominees that won’t be represented by a musical performance during the broadcast.
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Cool Posts From Around the Web:
Poor Spider-Man got snubbed. Where is the 2018 Academy Award for Best Picture nod for Spider-Man: Into the Spider-Verse? Sometimes a Best Animated Feature Film nomination by the Academy Awards isn’t enough. Spider-Man: Into the Verse broke technological ground, unraveled many multidimensional themes, set a precedence for the quality of superhero films, successfully borrowed the old, injected adrenaline into every combat scene, exploded with kinetic eclecticism, and celebrated the universality of heroism. It’s the film that will linger in my mind long after most of the Best Picture nominees.
While the Academy Awards’ Best Animated Feature slot gave a platform for animated films to be recognized to the public, some argued it had a side-effect of trapping animated feature solely into one category when said pictures contain multitudes that should transcend a singular category. An animated film can receive acclaim for qualities of artistry, design, story, and character, yet has trouble fighting the “it’s just an animated film” mentality.
Before the Best Animated Feature category debuted in 2002, Beauty and the Beast waltzed its way to the Best Picture nomination in 1991. Pixar hits like Up and Toy Story 3 scaled their way up the ladder for Best Picture nods when the category was expanded. However, plenty of animated films were left boxed in Best Animated Feature. Into the Spider-Verse wouldn’t be the only animated feature booted out of deserved higher recognition.
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Posted on Wednesday, February 20th, 2019 by Andrew Todd
(Welcome to The Soapbox, the space where we get loud, feisty, political, and opinionated about anything and everything. In this edition: it’s time for the Academy to create a Stunts and Choreography award.)
It’s Oscar season, which means all the annual traditions and reheated previously-hot takes are in full effect. The Academy as an institution has many faults, and it’s worth criticising them even as it attempts to improve (with mixed success).
One of the most popular criticisms, amongst popular and genre audiences in particular, is the ongoing absence of an Academy Award for stunts. The need for a stunt Oscar has been expounded upon at length elsewhere, but it doesn’t take much to see that stunt teams put an enormous amount of work into entertaining us. They literally risk their lives, at times, and many of cinema’s greatest films wouldn’t be what they are without those highly-skilled craftspeople.
The Academy, though, is seemingly unwilling to dedicate a statue to stunts, but I’ve got another idea. I assume, given the Academy’s desire to award individuals rather than teams, that any hypothetical stunt Oscar would go to the winning films’ stunt coordinator(s) – and there’s another, related craft whose own coordinators have long needed recognition. Here’s a proposal that might be a little bit more palatable for the Academy:
Why not institute an Oscar for Best Dance & Stunt Choreography?
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